In 10 Words or Less
Because the world needs teachers like Ron Clark
Loves: A good inspirational story, teaching
Likes: Lean on Me, Stand and Deliver
Dislikes: Dangerous Minds
A strict, motivational teacher takes on bad students in a underprivileged area, and helps turns things around by earning the students' trust, despite his unconventional ways. It's been done on film a number of times, and often it's been done well, resulting in films like Stand and Deliver and Lean on Me. Audiences seem to love to see underdog kids tap their potential under the guidance of a scrappy, optimistic teacher who truly believes in his charges, and The Ron Clark Story is another visit to this prolific well.
If you weren't told the film is based on a true story, you'd think it
was the work of a Board of Education propaganda factory with rose-tinted
windows, as its story is pretty Pollyanna-ish, following idealistic
teacher Ron Clark as he takes his classroom turnaround act from North
Carolina to the urban jungle of Harlem, New York, tackling the task of
teaching the school's worst students.
Facing pressure from the school principal (Ghostbusters' Ernie Hudson),
a lack of cooperation from his students' parents, a severe lack of
motivation in his kids and a case of unrequited interest in his troubled
co-worker, Clark has to raise his students' standardized test grades,
which he attempts to do with unorthodox methods and a list of rules to
help civilize the children.
As with all films of this type, a good portion of the film is devoted to
the kids in the class, which requires watching them in the classroom and
exploring their challenges in life. Clark's students offer a good
variety of types and backstories, from Tayshawn's street thug persona to
Badriyah's repressed thirst for learning to Shameika's troubles at home,
all of whom combine to create an interesting box of toys for the film to
play with. The actors playing the kids give them a realism and
likability that's key if the audience is to invest any interest in
As Ron Clark, Perry proves to be every bit the nice-guy chameleon,
showing none of the sarcastic yuppie charm of Chandler Bing or the
neurotic mania of Matt Albie, his "Studio 60" character. Instead, he's a somewhat
naive do-gooder with determination and a lack of shame. Certainly, there
are cringe-inducing moments, like the shockingly '80s-worthy "Presidents
Rap," but for the most part, he plays the part with idealism and
realism, giving the film the core it needs to work.
Impressively, the film doesn't stick to easy two-shots and standard
set-ups, and the result is higher production values that mark the film
as something bigger than a basic cable movie. The same can't be said for
the writing, though, which follows a very obvious route, to the point
where your reviewer was quoting dialogue before it was spoken, and
waiting for plot points to arrive instead of watching them unfold. It
may be a function of the formulaic plot, but there are few surprises to
be found, outside of one disturbing sequence that was mildly shocking,
mainly because of how far it goes. It's a small rough patch in an
otherwise smooth, stable and endearing ride.
Packed in a standard keepcase, this one-disc release features an
animated anamorphic widescreen main menu with options to watch the film,
select scenes and check out the special features. There are no audio
options and no subtitles, though there is closed captioning.
The anamorphic widescreen transfer on this DVD is very nice, with solid
color, despite the rather glum settings. The image is uniformly sharp,
with a good level of detail, and not a spot of obvious dirt or damage.
The sound is presented as a Dolby Digital 2.0 track, with a mix that
does a good job of keeping the dialogue and sound effects separate.
There's nothing dynamic about the sound, but it's clear of distortion
and is pretty strong for a TV movie.
As it should be for a movie based on a true story, the extras focus on
the reality behind the film. Once you get past the somewhat fluffy
making-of featurette, which includes interviews with the cast,
filmmakers and Ron Clark himself, you get into Clark's world.
An interview with Clark reveals him to be nearly hyperactive, and
incredibly enthusiastic about teaching and his soon-to-open Ron Clark
Academy in Atlanta. Perry's performance didn't capture the true spirit
of the man, but if he had, it might have been unbearable.
"Welcome to the Ron Clark Academy" discusses what his school will be,
and his plans and philosophy for the future. It's partially a request for
funding and support, but it's hard to blame him for asking for help to
assist his kids. A construction tour follows, going into the details of
The final featurette briefly documents a trip to South Africa by Clark
and his class. The students reactions to the trip, from both sides, make
it an interesting piece and one that proves that the film's story is
certainly true. There are also clips of Clark's acceptance speeches for his Disney
teaching awards, which add a bit of context to his success.
The Bottom Line
If there's a part of this film you can't predict three scenes before it
happens, you need to go to remedial film school and rent a few of the
teaching-underdogs classics. Despite treading familiar territory and
presenting some hokey moments, The Ron Clark Story is a solid
entry in the "against all odds" genre, and even has a few moments to tug
at the heart strings of even the most cynical viewers. The DVD
presentation is very good, with a handful of extras about the true story
that somehow managed to be more schmaltzy than the fictional version.
Fans of flicks like Stand and Deliver, looking for a film safe for the
family, could do worse than giving this movie a spin.
Francis Rizzo III is a native Long Islander, where he works in academia. In his spare time, he enjoys watching hockey, writing and spending time with his wife, daughter and puppy.Check out 1106 - A Moment in Fictional Time or his convention blog called Conning Fellow
*The Reviewer's Bias section is an attempt to help readers use the review to its best effect. By knowing where the reviewer's biases lie on the film's subject matter, one can read the review with the right mindset.