Background: It strikes me as interesting that our culture seems to swing back and forth as to what the future will hold for us; during upbeat times, showing a bright, cheerful future where many problems have been solved that we are mired with all the time; and conversely during bad times showing us how miserable things will be in the future (rarely showing them as polarized but realistic as Firefly did). So when I come across a futuristic show like Burst Angel, I am almost driven to figure out the reasoning for the manner in which the writer was at; in this case probably thanks to rising crime rates in Tokyo. My first review of the series only hours old (check it out at Burst Angel 1), I then turned to the second volume in the fun series; Burst Angel 2: A New Tokyo after a brief recap:
Series: Burst Angel is my favorite type of show in production terms as it is released by industry leader FUNimation here in Texas and was originally made by Gonzo in Japan. I know of no other consistently reliable companies that can say that; making the thematic matter all the more poignant if you catch my drift. The show is about a small group of gals for hire that came out in 2004 in Japan under the name Bakuretsu Tenshi; later adapted by David Haynes who took the original work by director Koichi Ohata and writer Fumihiko Shimo. Reminiscent of so many mercenary for hire shows (as well as powerful ladies in charge of things), the show started off with a distinctively western vibe to it, as in the American West to be more specific as things opened up without much explanation. Mankind appears to be largely landlocked on Earth and it is set several decades in the future where crime is out of hand and the authorities have all but given up; effectively handing control over to large corporations. Most people are firmly in the lower and middle classes but there are always those willing to take shortcuts to get ahead. That's when other people hire agencies to take care of things for them or at least protect them now that guns have been made legal in the once prohibitive Japan. The government still plays a role in suppressing the violence though; an agency called RAPT (Recent Armed Police of Tokyo) acting like Dirty Harry's meaner brother with a seeming policy of shooting first and asking no questions later.
In episode 1, Hell Comes Silently, the main character is a young culinary arts student named Kyouhei who dreams of becoming a pastry chef after he trains in France. Kind of lame and effeminate, he seeks a job that will allow him to save his money, nearly being killed by crossfire on the way to his interview. Once hired, he ends up in the thick of things when kidnapped by some mobsters that don't appear to know how determined his new employers are to fulfill their missions (and eat his wonderful cooking); four ladies by the names of Sei (the boss), Meg (the cute gal always in trouble), leading fighter Jo, and the youthful pain in the rear Amy. It doesn't take long for Meg to show her role is usually limited to being kidnapped and Jo to seek her rescue (an understated connection between the two that expands with the series), and cold, calculating Sei always wanting to put their missions first as Amy flip flops between wanting to goof off and get first dibs on all the cool stuff.
Then in episode 2, The Heartless Gunfighter, we get a better understanding of Jo and the large Mech robot she pilots (called Jango) when her hand to hand combat skills simply aren't enough. It's clear that she will sacrifice anyone and anything to save Meg when she is kidnapped, even putting Kyouhei in great peril as a result. That moves into episode 3, City Where The Beast Howls where a couple of brothers are on the cutting edge (some might say the bleeding edge) of biological research gives the ladies their latest mission; find the brother with the answers. This is a two parter that ends with episode 4, The Brothers Die At Dawn but it shows the main cast all involved in what they do best as the large pharmaceutical company tries to cover up it's human experiments that result in a modern day werewolf ripping bodies to shreds. At least this time, it is made fairly clear that Kyouhei is a secondary character to be called on as needed with the ladies handling the action far more efficiently by themselves.
The second volume opened up with episode 5 Mansion Where Lurks The Demon and episode 6 Wash This Garden With Blood!, a two part arc where Meg is going undercover at an exclusive girls prep school. As Amy monitors from the safety of their distant van, Meg follows her instincts right into the heart of the matter where young gals are killing themselves for no apparent reason. Figuring out an exclusive club is behind the matter; Meg investigates but runs afoul of the leader of the group after a promising start; spilling hot tea on the gal by accident and otherwise ending up in the thick of things. The class president and a roommate Meg saves from a horrific ending are only two pieces of the puzzle that drag her in when she is attacked by a menacing stranger. Jo, unable to leave her friend unprotected, assumes a secondary role as the story arc continues, with Kyouhei finding himself in drag for an all too lengthy stay as he delivers foodstuffs to the gals. It furthered Jo's protectiveness of Meg yet again but showed it to be something more innocent this time than the implied sexual relationship of the previous volume.
The next two episodes were also arced together and I think it was a well handled idea throughout the series as it gave more time for development but not so much that it bored me when certain elements didn't quite fit. This time, in episodes 7 Black Sky and 8 The Wounded Outlaw, the group is injected into the fray by a serial attacker that preys on young gals. It takes the form of a large crow and sweeps Meg away, in her usual fashion, while Kyouhei watches helplessly. Jo goes ballistic and the efforts of the team are balanced by an important mission that takes on a new meaning as Kyouhei is forced into becoming a courier for a biological weapon that will kill him if it is not removed very soon. Racing against the clock, the team dynamics are fleshed out really well as each of the remaining partners walks their own path to combine into a fighting force; showing some of the borrowed elements to be very nicely handled (the "bad guy injected you with poison so you must find him" idea has been done a lot in recent decades but in anime, usually not so well). When both missions intertwine, as expected, all heck breaks loose when the weakest member of the team has to decide if he will sacrifice himself for his new friend; or even if he'll have the choice thanks to Jo's inability to risk Meg.
As the series progresses, I find myself liking it just as much with no sophomore slump in sight as I rated it Recommended once more. The commentary on The Wounded Outlaw explained some of what has gone on in the series from a different perspective, giving me some ideas that I missed when I first saw the show. As time continues to march on, I'm thankful that the writing went so well even if a few minor quirks struck me as derivative or simply out of place considering how wealthy the rest of the show has been. Still, if you liked Burst Angel 1, you may even like this one more so check it out.
Picture: Burst Angel 2 was presented in 1.78:1 ratio anamorphic widescreen as shot by director Koichi Ohata for airing on broadcast television in Japan back in 2004. The mixture of CGI and more traditional looking anime was well done in the spirit that Gonzo usually offers up. There was not as much fluidity in the characters as a larger budget movie but it was perfectly suited for the kind of show this was meant to be; action packed and always on the move. Does that mean there were no static shots or single frames swept across the screen to simulate movement? No, there was a fair amount of that but again, it tended to work thanks in no small part to the tight manner in which the characters were written into their scenarios and any visual elements not quite in line with the better parts of the show were minor compared to some contemporarily released shows.
Sound: The audio was offered up in a 5.1 Dolby Digital Surround with the usual choices of the original Japanese or the English language dub provided by FUNimation. Each track offered up a solid experience that I could not truly pick one being better than the other; merely different. The music and sound effects were aggressively separated this time and it was one of the few recent releases (even at two years old) that employed the rear speakers as effectively as possible. The dynamic range of the music was above average, if slightly repetitive, and my biggest complaint was how the subtitles got in the way of some onscreen text (it wasn't common but it was a pain). The dub actors were slightly on the shrill side and the Japanese actors were more polarized (exaggerating their responses to such a degree at times that it struck me as comical) yet fans will be familiar with both sets of voice actors and I honestly would like to find the time to listen to both continuously instead of alternating as I did for this review. In short though, kudos to FUNimation's David Haynes and other creative staff for keeping up with their Japanese counterparts in a relatively rare display of offering a subtlety different story but maintaining a level of quality I can appreciate fully.
Extras: With several lesser companies taking the "less is more" approach to re-releases, it's easy for anime fans to become hardened and expect lame extras when the price is reduced. Thankfully, FUNimation has kept the disc extras this time and provided something enjoyable to appreciate in the form of an interesting audio commentary track, and a radio drama. There were also some trailers, clean opening/closings, and a paper insert for those who care. Okay, the commentary track showed the dub cast laughing it up but this time showing more background knowledge of the show (perhaps they had already knocked out more episodes this time where it wasn't as evident as last time or maybe Chris was reining them in as he contributed this time; I don't know for sure). Monica and Claire (?) kept playing off one another with more reserve; this time giving more insight that was reserved for Chris in the last commentary from the series. The radio dramas with the original cast (Meg and Jo) were more like interviews for the fanboys but I couldn't stop listening any more than I could stop last time; adding to the fun I had with it.
Final Thoughts: Burst Angel 2 left me with the idea that all involved in making the anime series were in tune with one another on multiple levels. It might not have had the biggest budget of a Gonzo release or the wildest set of built in circumstances but it promoted the episodic nature of the show in such a way that I knew I'd like watching the rest of the series as it came in. The technical specs for the show were well done, the voice acting got better, and the fact that there were still decent extras on the disc was a big surprise given how many other titles seem to skimp once the fan is hooked. In that sense, Burst Angel 2 was another reason for me to wish Gonzo picked this one up for another season and then have FUNimation run with it over here afterwards.
If you enjoy anime, take a look at some of the recommendations by DVD Talk's twisted cast of reviewers in their Best Of Anime 2003, Best Of Anime 2004, Best of Anime 2005, and Best of Anime 2006 articles or their regular column Anime Talk.