Reviews & Columns
Reviews
DVD
TV on DVD
Blu-ray
4K UHD
International DVDs
In Theaters
Reviews by Studio
Video Games

Features
Collector Series DVDs
Easter Egg Database
Interviews
DVD Talk Radio
Feature Articles

Columns
Anime Talk
DVD Savant
Horror DVDs
The M.O.D. Squad
Art House
HD Talk
Silent DVD

discussion forum
DVD Talk Forum

Resources
DVD Price Search
Customer Service #'s
RCE Info
Links

Columns




Eye, The

Lionsgate Home Entertainment // PG-13 // June 3, 2008
List Price: $34.98 [Buy now and save at Amazon]

Review by Ian Jane | posted May 28, 2008 | E-mail the Author
The Movie:

David Moreau and Xavier Palud's 2008 remake of the Pang Brothers' 2002 international horror hit, The Eye, with Jessica Alba in the lead, sounded to fans of the original film like a recipe for disaster. While reviews were mixed during the film's theatrical run, the reality of the situation isn't that the film was a disaster, rather, it was simply mediocre. It does nothing interesting with the excellent source material, and it feels like a very Americanized rehash of a film that was made better six years prior. At the same time, as inoffensive, generic, entertainment it isn't all that bad.

Jessica Alba plays Sydney Wells, a female violinist who has been blind since the early days of her childhood. At the insistence of her sister, Helen (Parker Posey), she undergoes an operation to have the corneas of a recently deceased woman replace her own so that she can once again see the world around her. According to the doctors, the operation was a complete success, but Sydney isn't so sure - she's seeing strange people and strange things, horrible things, that don't appear to anyone else. The powers that be at the hospital put her in touch with a therapist named Dr. Paul Faulkner (Alessandro Nivola) who should be able to help her adjust to seeing the world once more but the clearer her vision becomes the more frequent these spectral beings become.

Sydney starts to wonder if she's seeing things that the deceased woman who donated her corneas saw before she died. Faulkner insists that she's simply seeing things that aren't real but the more time he spends with his patient the more he starts to think that maybe, just maybe, Sydney isn't nuts after all and that maybe she really is able to see the spirits of the recently deceased or even catch a glimpse or two of a mysterious, shadowy spirit who comes to claim those who are about to pass on.

Those expecting the subtle, philosophical horror of the original Pang Brothers movie will be disappointed to find that the American remake of The Eye is pretty much exactly what you'd expect it to be - PG-13 horror for the masses. The film does attempt to play up to the current American controversy surrounding stem cell research but it's really just a passing mention rather than any sort of recurring theme. There are plenty of well time jump scares and oodles of CGI ghost effects to marvel over if that's your bag but missing is the spiritualist aspect of the original film that made it unique.

That said, as completely generic and 'dumbed down' as this film is, it isn't a completely abysmal picture. Alba is quite good in the lead role and very believable as a blind woman, proving she's more than just a pretty face and actually a competent actress in her own right. Her chemistry with Nivola feels forced but the cause of that is the script rather than Alba's performance. On top of that, the picture is quite well photographed. Director of photography Jeffrey Jur has shot the film with enough style and coolness that even if the story is lacking, the visuals are strong. Some of the jump scares, as cheap as they, are also quite effective and the score does a nice job of building tension in a few key scenes.

Ultimately, what we're left with is an unnecessary remake that does nothing better than the film it apes but simultaneously looks good and serves to entertain as a popcorn movie. The Eye is about as middle of the road as they come, but it gets enough right that it's at least worth a watch on a rainy afternoon when you've got nothing better to do with your time.

The DVD

Video:

The anamorphic 2.35.1 widescreen transfer on this DVD is as good as you'd expect from such a recent film as this. The color scheme for the picture is quite cool so don't expect brighter shades to leap off the screen at you but the movie does look good on DVD. There aren't any problems with mpeg compression artifacts and only some slight edge enhancement is apparent. Print damage is a non-issue and detail levels are strong throughout. Skin tones look lifelike and natural and the darker, cooler colors used throughout the picture look nice here. There are a few moments with a bit of heavy shimmer but thankfully they're few and far between.

Sound:

The English language Dolby Digital EX 5.1 Surround Sound mix on this disc is quite nice. With Sydney relying heavily on her sense of hearing for a few key scenes, you'd expect the mix to deliver and thankfully it does. A few of the set pieces are up higher in the mix than maybe they needed to be but otherwise there's little to complain about here. Surround channels are used nicely at opportune moments and bass response is strong. An optional Spanish Dolby Digital 2.0 Stereo track is also included as are English and Spanish subtitles and English closed captioning.

Extras:

Lionsgate has supplied a decent array of supplements on this release, starting with a selection of eight Deleted Scenes that are available to watch on their own or through a 'play all' button on the menu. The scenes, all of which are presented in non-anamorphic widescreen with time code, are: Bloody Hallway (0:40), Sydney Sees Simon For The First Time (2:15), Bloody Eyes Nightmare (1:27), Meet The Cheungs (1:15), Screaming Man In The Recording Booth (1:20), Violin Shop (2:01), Cognitive Testing (1:09), and Clinica (1:25). Most of these are extended bits of character development but the first and third feature a couple of neat scare scenes and marginally gory effects work.

Up next are four brief featurettes, starting with a featurette entitled Birth Of The Shadowman (1:37) where the actor who played the shadowy character seen in the film talks about his experiences playing the character and how the effects were done with a combination of digital and practical effects work on an almost nude guy running around trying to act creepy. Becoming Sydney (4:46) examines how Alba became her character in the film and how she trained to play a blind violinist effectively in the picture. She was trained using 'sleep-shades' to simulate blindness and it's interesting to hear about how this effected the picture. Shadow World: Seeing The Dead (8:30) features input from a parapsychologist, a doctor, one of the executive producers, and Alba in regards to how patients who have undergone transplants have actually started to have strange cravings and desires that replicate those of the donor. This is by far the most interesting supplement on the DVD as it explores the real world science behind the very premise of the film. The last featurette, The Eye: An Explosive Finale (6:08), allows the cast and crew who were involved with the big set piece that makes the end of the movie discuss what they did and how they did it. All four featurettes contain some interesting behind the scenes footage and while they could have gone more in depth at times, they do provide some interesting information about the production.

Rounding out the extra features on the disc is the film's original theatrical trailer, trailers for other Lionsgate horror DVD releases, animated menus and chapter stops.

Although the packaging claims that this is a '2 - Disc Special Edition' the second disc is simply a digital copy for those interested in viewing the film on their iPod or portable device. There are no other supplements on that disc.

Final Thoughts:

As generic and mediocre as The Eye is, the film is still a fairly entertaining popcorn movie. It has almost zero replay value and the supplements aren't strong enough to add much value but the movie is worth a watch even if it's unlikely that anyone will consider this a 'must own' release. Rent it.

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

Buy from Amazon.com

C O N T E N T

V I D E O

A U D I O

E X T R A S

R E P L A Y

A D V I C E
Rent It

E - M A I L
this review to a friend
Popular Reviews

Sponsored Links
Sponsored Links