Director Nimrod Antal has made a solid impression with his directorial output thus far. With the atmospheric "Kontroll" and the merrily macabre "Vacancy," Antal has proven himself a gifted genre engineer, able to pump fresh air into half-baked screenplays, with a solid command of big screen twists and turns. "Armored" is a coloring book of a motion picture, as routine a heist thriller as they come, but the whole shebang is directed with a charming impression of passion. It's bottom-shelf junk food enjoying a convincing B-movie paint job, primarily because Antal appears invested in this scrappy thriller, not just collecting an easy paycheck.
Trying to pull his life together after the death of his parents and a military tour in Iraq, Ty (Columbus Short) has taken a job as an armored car guard, standing alongside his friend, Mike (Matt Dillon). On the eve of a colossal cash collection, Mike propositions Ty with a risky offer, asking the enthusiastic young man to help steal the money, with the assistance of some shifty maneuvers and a few needy co-workers (including Laurence Fishburne and Jean Reno). Ty, initially hesitant, eventually agrees to go along with the theft, if only to help keep his troubled younger brother (Andre Kinney) out of foster care. While the plan launches without a hitch, a series of accidents and panic attacks lead Ty to fear for his life, sealing himself inside one of the trucks while Mike and the boys work out a plan to retrieve the money and kill the unexpected traitor.
Clocking in at a swift 80 minutes, "Armored" is refreshingly lean; it's a streamlined thriller indifferent to labored characterizations or complex blueprints of thievery. The picture is a blunt object, and an energizing one at that. Antal shows primary concern for the thrill ride aesthetic, using Ty's dilemmas with his kid brother and heavy monetary woes as the lift hill, getting the audience settled into the story through a plausible series of demands that could all be brushed away with a significant pile of cash. Ty is pushed into a corner, leaving Mike's wicked offer the only way out of a lifetime of debt and worry. "Armored," written by James V. Simpson, delivers a captivating set-up, getting Ty and the guys to a point of abandoned-steel-mill ecstasy as their plan commences spotlessly, leaving only the nasty business of alibis and truck torching left, with a comfy hour on a clock before the head office begins to wonder where the team disappeared to.
And then matters, as they typically do in this sort of movie, go straight to hell.
The screenplay is pure boilerplate, but Antal slides right over the hackneyed characterizations and shoos away the thick "Reservoir Dogs" haze, showing endearing commitment to the art of the low-budget thrill. It's reminiscent of "Vacancy," which was also scripted flatly and generally situated inside a single location, leaving the filmmaker hungry to build suspense through tight editing and considered camerawork. A silly mid-movie car chase between two lumbering armored trucks (0 to 60...in about a week) is an unfortunate stumbling block, but the rest of Ty's confinement encourages some choice trigger-happy shock value, double-crosses, and an appearance by a meddling cop (Milo Ventimiglia). Antal keeps the brew bubbling agreeably, with the aid of some splendid actors (Fishburne, Reno), good actors (Dillon, Short, and Ventimiglia), and...er, actors (Skeet Ulrich and Amaury Nolasco, playing the fraidy cats of the guard pack) to communicate the hysteria.
A dark motion picture to begin with, the AVC encoded image (2.35:1 aspect ratio) values the dimly lit mood of the piece with terrific shadow detail, capturing the nooks and crannies of the intricate sets and preserves the suspense beats of the story. Facial detail is quite sturdy, allowing for a full inspection of the actors and their frantic, sweaty moods. Colors are subdued, but comfortable, with outdoor sequences looking splendid, showing off the industrial hues -- the rust on cars and factory interiors is almost a supporting character.
The 5.1 DTS-MA sound mix for "Armored" is a hard-charging affair, with crunchy scoring cues and explosive action competing for audio time. Dialogue is always accessible (most of it shouted), but the sonic energy supporting the visuals is more compelling. LFE response is wonderful for the more intense moments of confrontation, with directional effects in full effect for bullets hits and heightened atmosphere. There's also a pleasing echoy quality to the factory sequences, introducing a nice cinematic invitation. A French track is also available.
English, English SDH, and French subtitles are offered.
A feature-length audio commentary with director Nimrod Antal? Stars Matt Dillon and Columbus Short? Nope. Here we have producer Dan Farah, and stars Milo Ventimiglia and Skeet Ulrich. It's a letdown, and it doesn't help that the participants have very little to share, openly wondering why Antal isn't there to help them out. It's a worthless track that spends as much time stating the obvious as it does in silence. To help make matters worse, there are a few references to deleted scenes that are not on the disc. The only useful information shared here comes from Ventimiglia, who admits to eating 15 hot dogs during a single scene. Yep, that's the good stuff.
"Planning the Heist" (15:19) interviews cast and crew, looking to unlock the secrets behind the making of "Armored." A routine of platitudes and backstory is served up, with the real fun arriving with a few glimpses the director in action with his ensemble.
"Armed and Underground: Production Design" (6:47) discusses the construction of the massive sets under the watchful eye of production designer Jon Gary Steele.
"Crash Course: Stunts" (11:30) sits down with stunt coordinator Lance Gilbert to explore how the action came to be. Turns out it took time, a huge effort from the cast and crew, and a collection of Hot Wheels to help plan the whole thing out.
A Theatrical Trailer has not been included.
"Armored" isn't the most logical cinematic submission of the year, but I'm not sure I would want it to be. It's a reasonably clean machine of escapist entertainment, directed resourcefully by Antal, who mines a generous amount of suspense out of a skeletal scenario.
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