DAAF-Review
Death at
a Funeral is a
constant parade
of hilarity but it takes a certain mindset and mood to enjoy the
outrageous
fun. If you enjoy dark comedies this is one of the most essential ones
a film
fan can possibly see and it will delight viewers with repeat viewings
and is
the kind of film worth sharing with friends.
The
film opens with Daniel (Matthew Macfadyen). Daniel isn't going to have
one of
the better days in his life. It's the day of his father's funeral and
the
funeral home can't even manage to bring the right body with their first
try.
Then there's the fact he's trying to figure out what to do in the
future as he
is making plans with his wife Jane (Keeley Hawes) to move out of the
family
home (where his father had also lived). Then there's the greedy brother
Robert
(Rupert Graves) who is a popular writer but who doesn't chip in to
paying
for the funeral -- nor does he help with writing the Eulogy. To make
matters
even worse there's a hallucinating man named Simon (Alan Tudyk) who
accidentally
takes some drugs that he thought was Valium. If that wasn't enough, there's even a mysterious man
who brings something very surprising into the entire equation of the
funeral proceedings.
Matthew
Macfadyen is the dramatic backbone of the film. He gives the story much
of its
heart and dramatic relevance. This actor was barely on my radar until
appearing
in Joe Wright's Pride & Prejudice
adaptation of the Jane Austen literary classic, but afterwards
Macfadyen seemed
an easy fit for more prominent and recognizable roles. This is one of
those
examples. He is involved in many comedic moments throughout the film
and yet he
performs his part with a unique style that understands what each
sequence and
moment needs most to remain humorous while avoiding the possible
pitfalls of
standard comedies, where the humor is sometimes so outlandish as to
start
feeling unintentionally ridiculous.
The
biggest scene stealer though is undeniably Alan Tudyk (Firefly),
and while he may not bring as much nuanced dramatics to
his role, he brings one of the funniest characters ever to
the film. It's hard not to laugh in virtually every moment
of the movie featuring Tudyk. He performs his character so well it's
rather remarkable
and the situations this character winds up in are unexpected and
strangely nonsensical
but definitely humorous.
Frank
Oz has made some of the best comedies ever (Bowfinger,
Dirty Rotten Scoundrels, and In
& Out among the most memorable) but Death
at a Funeral is the best one of them all with an expertly crafted
screenplay by Dean Craig that manages to be the perfect fit for Oz's
direction,
which capably brings out the best of each actor, and properly utilizes
the
natural surroundings used during filming. The pacing seems excellent as
well
and this is surely a credit to Oz along with the help of the film's
editor
Beverley Mills.
The
comedy never stops! There are plenty of moments to establish scenes and
introduce the characters and these moments are well handled. However,
it's the
relentless comedic genius the film displays that makes it so memorable
and a
new classic that will stand the test of time. It's almost hard to
believe how
funny one film can be sometimes but this is an effort that seems
determined to potentially
break personal records for the number of quality laugh out loud
moments.
The
unnecessary remake made in 2010 may have a reasonably sized audience,
but
anyone who has seen this 2007 original knows that this is a classic
film and
one worth seeking out. It's an essential film that should be worth a
few
viewings by any comedy fan, but its appeal will be best felt by dark
comedy
fans and not necessarily more traditional audiences looking for
something a
little more mainstream and perhaps a tad less original. Death
at a Funeral isn't D.O.A. (Dead on Arrival) but rather an
instant classic with comedy that is in full bloom.
The
Blu-ray:
Video:
MGM
brings Frank Oz's Death at a Funeral to Blu-ray with
an AVC encoded transfer at 38
MBPS on a 50 GB dual layer disc. The film is presented in the original
aspect
ratio employed during its theatrical run of 1:85:1. The good news is
that this
transfer is probably the best the film will ever look and fans should
be
relatively pleased. The bad news is that it really never manages to
become a
standout High Definition image. The picture seems softer than one might
hope
and the lighting seems a bit bright which causes the colors to stand
out less
and seem a bit washed out at times. The clarity and colors are
certainly
improved over the DVD release but it isn't a giant leap forward and
only
diehard fans and those who haven't purchased the film before will
really
appreciate the boost in picture quality. The film benefits from the
upgrade the
most during outdoor scenes that focus on the green environment and the
surrounding wide shots tend to give a better impression of the
differences than
the close up shots. Please note that this is a Region A Blu-ray
release.
Audio:
The
original English language 5.1 surround sound DTS-HD Master Audio mix is
also a
nice step up over the DVD release but it lacks the same level of
activity or immersion
that some fans might have hoped to find. The music score by Murray Gold
sounds
pleasant during the film's presentation and the audio is a bit clearer
yet the surround
activity seems minimal and the focus is primarily on the dialogue and
thereby
the front speakers received much more aural attention. This film
reproduces the
sound mix nicely but it's not surprising the mix isn't stellar consider
the
biggest focus is the comedic dynamics of the actors. Spanish and French
language tracks are also included with 5.1 surround sound mixes.
Subtitles are
included for Spanish speakers and the deaf and hard of hearing.
Extras:
There
aren't many video extras to be found on this release (just the original
theatrical trailer in high definition
and a gag reel in standard definition).
The real supplemental features to enjoy are two well made commentary
tracks. Commentary with Frank Oz provides
insights into the production elements of the film and the technical
talk gives
viewers a greater understanding of some of Oz's creative decisions and
the process
of making the entire film. Commentary
with Writer Dean Craig and actors Alan Tudyk and Andy Nyman offers
up some hilarious
moments and the trio makes the track high energy while also discussing
some
details of the process along the way. Both commentaries are
entertaining and
informative but those interested primarily in the filmmaking aspects
should
listen to Oz's while those desiring some more lighthearted chatter
might prefer
the other commentary more. Both inclusions are worthwhile and engaging
to
listen to.
Final
Thoughts:
Death at
a Funeral is a
comedic delight that should
be seen by any individual who considers themselves a fan of intelligent
and well
made films, and especially for viewers who truly can appreciate dark
and offbeat
laughter-inducing movies. The PQ/AQ
represents
an upgraded experience but diehard fans are the only audience members
who will
likely want to upgrade from the earlier release. Newcomers should
consider this
an easy purchase to make though. The extras are identical to the DVD
release
but two excellent commentary tracks make the supplemental package one
to
appreciate regardless. Highly Recommended.
Neil Lumbard is a lifelong fan of cinema, and a student who aspires to make movies. He loves writing, and currently does in Texas.