By starting a sixth season, Star
Trek the Next Generation had not only run longer than the three seasons of
the original Star Trek, but it had also surpassed the "five-year
mission" optimistically proposed in the voiceover of the original series' title
sequence. Next Generation had established itself as a new voice in
serious science fiction on television. But more than that, Next Generation
demonstrated a vision for itself that would allow it to not only endure and
prosper, but also to grow beyond its earliest boundaries and strike out into
new storytelling territory with each successive season.
It's Next Generation's
refusal to rest on its laurels that allowed it to become, in my opinion, a far
more dramatically successful show than the original Star Trek that
inspired it. Star Trek: The Original Series had innovative,
beyond-its-times ideas, such as the character of Uhura: a black woman as a part
of the bridge crew was radical in the 1960s. However, its best work came at the
beginning of the series, and in the latter half of its three-year run, the
original Star Trek began to fall apart story-wise. (An episode like
"Spock's Brain" speaks volumes in that regard.) In contrast, Next Generation
began on a slightly shaky note (even the most dedicated fan must concede that
"weak" is a charitable way to describe the first season) but swiftly gained its
bearings and began to fly, and then to soar. Next Generation in fact hit
a high point in Season
Four and managed to remain at its peak for the remaining three seasons.
This is all a roundabout way of
saying that Season Six is every bit as good as the excellent Season Five. Without
starting any major new story arcs (with the exception of introducing the
Cardassians), Season Six explores the story possibilities opened up by earlier
seasons, and breaks new ground in narrative terms with some very well-done
Season Six gets off to an
uneven start by having several of the season's weaker episodes at the
beginning: it opens with the conclusion of Season Five's cliffhanger, "Time's
Arrow." As I noted in the review of Season Five, "Time's Arrow" is probably the
weakest of all the season-ending episodes... which means, given the level of
the other season-enders, that it's still a very entertaining episode, even if
it's not as mind-blowing as "The Best of Both Worlds" or "Redemption." The
first few stand-alone episodes that we get after the opening episode include
"Realm of Fear" and "Man of the People," which aren't bad but are still not up
to the same standard as the rest of the show. Fortunately, the stories soon
Taking advantage of the greater
depth of story possible in a longer episode, Season Six offers not just one,
but two two-part episodes mid-season: "Chain of Command" and "Birthright."
"Birthright" is the latter of the two, and highlights the interesting
backstories of both Worf (Michael Dorn) and Data (Brent Spiner). The real gem
is the intense "Chain of Command," which
mixes Picard (Patrick Stewart) up with the Cardassians, a race who would
move into the Star Trek spotlight in Deep Space Nine.
Many of the best episodes of
Season Six, such as the outstanding "Tapestry," feature Picard as a significant
player, as the writers for Next Generation had realized what a resource
they had in the acting skills of Patrick Stewart. Season Six balances this by
making excellent use of the entire ensemble over the course of the season,
providing all the actors with at least one truly outstanding episode in which
their character is the star. "Frame of Mind" offers a mind-bending story
(literally) with Riker (Jonathan Frakes) in the spotlight. "Timescape" plays
with time effects, and like all of Next Generation's time-related episodes,
it's great fun. "Face of the Enemy" tangles Troi (Marina Sirtis) up with one of
Next Generation's most interesting enemies, the treacherous Romulans.
"Second Chances" also features Riker and finally picks up on a few of the
often-hinted-at threads of the history between him and Troi.
Speaking of picking up on
threads from earlier seasons, the episodes "A Fistful of Datas" and "Ship in a
Bottle" show us that Next Generation's writers haven't forgotten about
the possibilities of the holodeck as shown in earlier seasons. "Ship in a
Bottle" is particularly well-crafted, as it draws on certain "hanging" elements
from earlier holodeck episodes... most notably, the Sherlock Holmes
Season Six closes with the
cliff-hanger first part of "Descent," which proves to be a stronger
season-ending episode than the previous year's "Time's Arrow." The Borg are
back... and if we thought the Federation knew all it needed to know about them,
we're wrong. I'm itching to give more detail on why "Descent" will have you on
the edge of your seat waiting for Season Seven and the resolution of the
cliff-hanger, but I don't want to spoil anything; you'll have to wait and watch
"Descent" for yourselves.
So what makes Season Six work
so well? Top-notch storytelling, as usual. The show continues to look good in
terms of visual effects, but Next Generation was never about eye candy.
The special effects and the ships are there in service of the interesting
stories that Next Generation tells, stories that draw on the deep
affection for the characters that we've developed over the past five seasons,
that explore interesting ideas, that present situations "out there" in space
that are sometimes very much like what we struggle with in our present society,
and sometimes very different.
Next Generation Season
Six is presented in its original television aspect ratio of 1.33:1, and has
been lovingly presented by Paramount in an excellent DVD transfer. The
ten-year-old episodes have been cleaned up and presented in an almost perfect
transfer. The print is completely clean, with no instances of flaws at all and
only an occasional hint of grain in the background of some scenes. I did notice
a faint hint of edge enhancement in some parts of the image in comparison to
the completely edge-enhancement-free Season Five;
however, it's still less than the edge enhancement visible in the first few
seasons, and is a very minor flaw.
On the positive side of the
comparison to Season Five, Season Six's color palette is more vibrant and rich,
showing off the bold colors favored by the Next Generation costumes and
sets while maintaining a completely natural tone.
Contrast continues to be a
strong point of the transfer, with black levels nicely rich and dark; dimly-lit
scenes are as clean as brightly-lit ones, and show an excellent level of
detail. In short, these episodes never looked this good on TV; any viewer will
be delighted by the image quality.
As with the earlier seasons of Next
Generation, the soundtrack for Season Six has been remastered into Dolby
5.1. The dialogue is consistently clear and distinct, and there is no
background noise in the track at all. The music (including the classic theme)
is rich and attractive-sounding, while always remaining correctly balanced with
the dialogue. Special effects are crisp and distinct.
In addition to the Dolby 5.1
soundtrack, a Dolby 2.0 track is provided, as are English captions.
Season Six offers about 75
minutes of bonus material, found on the seventh disc of the set. The "Mission
Overview" provides a seventeen-minute look at some of the key episodes of the
season, with interviews from cast and crew involved in "Time's Arrow,"
"Relics," "Chain of Command," and the Deep Space Nine pilot episode that
featured a visit from the Enterprise. Another seventeen-minute
featurette titled "Bold New Directions" focuses on the Next Generation
directorial debuts of Patrick Stewart (in "A Fistful of Datas") and LeVar
Burton (in "Second Chances").
The "Departmental Briefing"
section includes two featurettes: a fifteen-minute featurette on production,
focusing on the re-creation of the bridge set from the original Enterprise
for the episode "Relics," and a twenty-minute profile of visual effects
producer Dan Curry.
The special features are
rounded out by a nineteen-minute featurette specifically profiling the
character of Data, with interviews from Brent Spiner done specifically for the DVD.
A trailer for the upcoming theatrical release of the feature film Star Trek:
Nemesis, as well as the DVD release of Deep Space Nine: Collector's
Edition, are also included.
The packaging and menus of
Season Six follow in the footsteps of the preceding five seasons. The seven
DVDs are packaged in a cardboard fold-out that fits inside a shiny silver "gift
box." It looks very nice on the shelf, though it's not particularly convenient
to handle when it comes time to actually watch the series.
Season Six of Next
Generation offers a continuation of the excellent storytelling showcased in
the preceding two seasons. For any viewers who are interested in Next
Generation but somehow have never had the chance to see it, I would suggest
starting from an earlier set, perhaps Season Three or Four, and building the
collection from there; you'll soon be hooked and ready to buy the next few
seasons all the way through Six and Seven. For any fan of the show, the overall
high quality of the DVD release, as well as that of the contents, makes Season
Six a must-have addition to the collection.