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Reviews » DVD Video Reviews » Color Out of Space
Color Out of Space
Other // Unrated // August 21, 2012
List Price: $19.95 [Buy now and save at Amazon]
Review by John Sinnott | posted September 11, 2012 | E-mail the Author
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C O N T E N T
V I D E O
A U D I O
E X T R A S
R E P L A Y
A D V I C E
Highly Recommended
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P R I N T
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The Movie:
 
Like the works of Phillip K. Dick and other authors with a cult following, the short stories of H. P. Lovecraft have been turned into movies many times over the years.  And, as is the case with many authors, the results have usually been less than what they should be.  (Two of the main exceptions are the great movies by the H.P. Lovecraft Historical Society, Call of Cthulhu and Whisperer in Darkness.)  One of Lovecrafts best works, and also one of his most 'unfilmable' is The Colour Out of Space, a short story published in 1927.  It was the basis for the films Die, Monster, Die! (1967 - 5.5 out of 10 at the IMDB), The Curse (1987 - 4.5 rating), and Color from the Dark (2008 - 4.6 rating), so when I heard an independent film maker in Germany had tackled the work, my expectations weren't very high.  After screening The Colour Out of Space (originally titled Die Farbe which is German for The Color) however, I came away impressed.  The film manages to capture the eerie feeling of Lovecraft's story which is something that if very hard to do.
 


Set in 1975, young man named Jonathan Davis learns that his father has mysteriously disappeared.  He starts tracking his parent's movements and the trail leads to Germany, specifically to the area that his father was stationed while a GI at the end of WWII.  So he jumps on a plane and sets off to the Swabian-Franconian Forest.
 
Once there he starts showing a picture of his father around to no avail until he bumps into a man, literally, who recognizes an old picture of the elder Davis taken when he was still in the Army.  The man, Armin Pierske, met Davis right after the war.  Armin was returning home to his farm from the front, while Davis and his men were taking an inventory of the farms in the area to see if any could be used as refugee shelters.  After examining Armin's farm Davis starts to head down to the valley below when the German warns him not to go there.  It's a place where evil things have happened, and it might not be over.
 


Back in the present, the older Armin takes Jonathan to his home where he relates the story of the Gärtener farm and the meteor that fell from space right before the war.  It landed in their field one evening and the next day the fragment was still very hot.  As a matter of fact, it didn't cool down at all.  Soon a scientist from a nearby university came to get a sample, and but the material couldn't be identified.  He returned and chipped off more fragments from the extraterrestrial rock only to discover that something is inside of the meteorite, an odd color.  Before he can get a good look, it disappears, and later that night a storm comes and lighting is attracted to the rock "like moths to a flame."  The next day it's gone, and the sample evaporate too. 
 
Everyone forgets about the event until the following summer when the Gärtener's discover that their crops are growing to an enormous size.  While they're gigantic, the food isn't good to eat, it tastes spoiled.  While most families would rely on their neighbors to help them through such a tragedy, the Gärtener's do the opposite, becoming reclusive.  Their kids stop going to school, and when Armin goes to visit them they act very odd.  Soon word gets around that Mrs. Gärtener has gone mad, and her children start acting strange too.  But nothing could prepare Armin for what he discovers when he goes to check on the family after a prolonged absence.
 


It's hard to create a movie where the creature is a heretofore unseen color, but the creators of this film manage to pull it off.   There's a feeling of foreboding that permeates the film, and that's just what Lovecraft was going for in his story.  By relying on atmosphere and creating an eerie feeling for the movie well before the 'monster' is first seen they draw the viewers into the story so that even if the reveal of the creature is a bit underwhelming, it almost doesn't matter.  It's not what the thing from space looks like that is so scary, it's just the fact that it exists on Earth. 
 
The cinematography is very good too and adds a lot to the movie.  It's filmed in black and white (with the exception of the 'color' itself, which is a good and cheap effect) and the movie is filled with shadows and mist.  The images are haunting. It creates almost a 'noir' feel to the film, where you're just waiting for something bad to happen.  I especially liked the way jump-cuts were employed to show the way Mrs. Gärtener was going insane.  Again, it's a cheap but effective tool if used correctly and it was in this film.
 


That being said, the director made some unusual choices for this movie. While the large majority of them work, I had to wonder why he created the whole framing sequence of an American man looking for his father in Germany.  It would have been easy enough to just move the whole story from America to Germany without this device, or else keep the American setting while filming it in German.  Because of this there are three time periods in the film:  the 'present' which is actually over 35 years ago, just after WWII, and just before WWII.  While it's not hard to follow the narrative, it is a bit awkward.  It also changed the focus of the plot from the mysterious event surrounding a farm to the fate of the elder Davis.  That didn't work as well as it should as I was never that interested in the missing man.
 
Purist and hard core fans of Lovecraft's work will bemoan some of the other changes that were made to the story, including one at the end.  I happened to love the twist that's included near the conclusion.  It both surprised and shocked me, which doesn't happen often.
 
The DVD:

 
Audio:
 
 The disc comes with both a DD 5.1 mix as well as a stereo soundtrack, both in German with optional English subtitles.  One thing to note is that the movie starts in English but soon turns to mainly German once the narrative switches to Germany.  On the Blu-ray player I used to screen this film, the subtitles weren't enabled automatically so be sure to turn them on or else you'll be scratching your head as I was.  As for the quality of the soundtrack, I viewed the film with the 5.1 track and spot-checked the stereo one and both sounded fine.  The 5.1 really came alive during the climax of the film too, and it was nice that they went to the trouble. 
 
Video:
 
The black and white anamorphic image looks good.  It's just a tad soft in places, and there is some banding in a few scenes, but aside from that the picture quality is fine, especially for an independent film.
 
Extras:
 
The disc comes with more extras than I was expecting.  There are three featurettes on the disc, Making of Colour Out of Space which, as one would expect, covers the filming of the movie, Effects and Concepts, which looks at how they achieved the look of the film on a limited budget, and Science and Horror, which talks about Lovecraft's use of science to generate terror.  All three are nice additions to the DVD and worth checking out.
 
Final Thoughts:
 
All in all, this is a magnificent film.  Eerie and haunting with some excellent cinematography, it is one of those rare films based on a Lovecraft story that manages to capture the feelings and atmosphere that the author was trying to create.  Horror fans who are only looking for grue and blood should pass it by, but those who enjoy chilling movies told well should definitely check this out.  Highly Recommended.
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