The Movie:

Created by Stan Lee and Jack Kirby in 1965, The Inhumans proved popular enough as supporting characters in the pages of The Fantastic Four that they were spun off into their own series in 1975. Though that series lasted on twelve issues, they were brought back under the Marvel Knights banner for another twelve issue series in the late nineties. These twelve issues were written by Paul Jenkins and illustrated by Jae Lee. A four issue storyline followed in 2000 and then another short run in 2004. As part of their Marvel Knights line of DVD motion comics, Shout! Factory brings the Jenkins/Lee run to life and it actually works quite well.

The series starts by introducing us to the key characters, a race of 'genetic freaks' who live their lives away from mainstream society on an island of their own named Attilan. By choice, the people of Attilan keep to themselves, they do not take part in world economics nor do they socialize with anyone on the mainland. Each member of the islands population, as he or she comes of age, must undergo a rite of passage called 'Terrigenesis' in which they are exposed to Terrigan Mists, a naturally occurring phenomena that happens on the island and which will the being exposed to it superhuman abilities. The catch? You don't really know what you're going to get when you're exposed to the mists... it could be enhanced strength or it could be some form of horrible physical mutation. Serving the Inhumans are the Alpha Primitives, essentially a race of slaves who exist to serve.

Attilan is generally a peaceful place ruled by Black Bolt (a man unable to speak for fear of leveling the land with the destructive power his voice carries) and the rest of the Attilan royal family - but all of this changes when humans launch an attack on the island. If that weren't enough, there's the not insignificant presence of Black Bolt's brother, Maximus the Mad, who would be only too happy to see his brother's rule come to an end. Thankfully, Black Bolt has his loyal companion Lockjaw at his side, but as the attack intensifies and he seeks assistance from the United Nations, Maximus tries to destroy the Inhuman society from within by launching the Alpha Primitives into revolution.

While The Inhumans may, on a surface level, appear to be just another sci-fi tinged tale of men in tights, the story is actually very layered and clever. As the twelve chapters that complete the work play out, Jenkins works in interesting allegories to different aspects of society as the storyline takes on class war, race relations, slavery, isolation on a global scale (timely, given what North Korea's been up to at the time of this writing) and of course, genetic mutation. Quite a bit more political than your average superhero yarn, Jenkins' writing lets the story unfold at a somewhat slow but completely deliberate pace which helps not only to introduce and sufficiently flesh out the different characters but also to build some effective tension as the final issues approach. Let's not confuse slow with boring.

Complimenting this very nicely is the artwork of Jae Lee. The closest point of reference when comparing his work here to his other material is probably his four issue mini-series, Hellshock. Like that series, here we see bold use of color and sharp, sometimes jagged line work with heavy use of shadows creating a darkness that gives the visual side of the story an appreciable intensity and sense of brooding. This is a bit of a mixed bag once things start to move, however. Lee's art is intense, it's otherworldly and it's not always cut and dry. Once you start to animate it, you lose part of what makes it so interesting to look at when it's presented as it was intended - sequential art on the printed page. Sometimes the transitions work beautifully, other times not so well. The use of sound adds to this, the effects work helping to bring the story to life in interesting ways. One interesting aspect of the sound work, however, is the fact that so much of this story revolves around Black Bolt, a character who does not speak. To get around this and to let us into his head, the story uses internal narration to give us his take on things as well as other characters to sort of elaborate on different things and 'fill in the blanks' so to speak. Usually this works well, though there are spots where it feels like a gimmick and as such, comes across as a little bit overused - proving that not everything that works on paper work in animated or motion comic form.

Video:

The Inhumans arrives on DVD in a nice 1.78.1 anamorphic widescreen transfer that replicates the art style well. This is a slightly harsher looking presentation than some might be accustomed to but it's in keeping with Jae Lee's illustrations which use very heavy, almost sketchy looking lines at times. Color reproduction is excellent, fine lines and thicker lines are both reproduced nicely here without a lot of shimmering. There aren't any compression artifacts and as this was all done digitally, there are no issues with print damage.