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October 28, 2013
Savant's new reviews today are: Blu-ray ![]() 10/29/13
Blu-ray ![]() 10/29/13
and with Five Fingers ![]() 10/29/13
![]()
For your immediate pre-Halloween viewing this year, Gary Teetzel forwards this article, complete with attached YouTube video, on a new documentary about Orson Welles' War of the Worlds. I've also gotten substantial positive feedback on my reviews of the last week or so. Not only that, the leading video quality wonks over at other big-time forums concur on my thoughts on the appearance of the James Dean Giant disc. That's something new. As it happens, a several viewers say haven't yet caught up with Eyes Without a Face. My advice is to see it under ideal circumstances -- uninterrupted. Viewing in the dead of night is also a good idea, unless you're prone to depression! I'm finishing up this year's horror pix disc coverage with The Uninvited and The Beast with Five Fingers. It's been a very good October for horror fans. Now let's hope for the Peter Lorre The Face Behind the Mask, Franju's Judex, Vadim's ...Et mourir de plaisir (pictured) and Freda's The Horrible Dr. Hichcock! Thanks for reading and Trick or Treat -- Glenn Erickson
October 25, 2013
Savant's new reviews today are: Blu-ray ![]() 10/26/13
Ultimate Collector's Edition Blu-ray ![]() 10/26/13
and Blu-ray ![]() 10/26/13
![]() Hello! Here are a couple of links to an interesting project being done by Milestone Films with UCLA Archivist Ross Lipman: a documentary called NOTFILM about the making of Samuel Beckett's experimental film from 1964, called FILM. That's the curious item that starred an elderly Buster Keaton. Lipman has uncovered many outtakes, rare audio recordings of Beckett and a newly discovered opening scene. It's a complicated story: here are links to the NOTFILM website and the NOTFILM trailer. Milestone will be producing the film by raising half of its budget through IndieGoGo. Keeping up with the Good Stuff Department: over at today's (October 25) Greenbriar Picture Shows, John McElwee digs into the media onslaught wielded by Stanley Kramer to sell his U.A. Atom Doomsday picture On the Beach worldwide. This is the one that had umpteen simultaneous premieres on several continents, including a premiere in Moscow. It was billed with the immortal words, "If You Never See Another Picture in Your Life, You Must See On the Beach!" With the holidays coming up, rather than plug my own Sci-Fi book quite yet, let me again direct your gift-buying instincts to John's entertaining, surprising tome about a century of motion picture exhibition, Showmen, Sell It Hot! It's a classy, good looking publication, too. Things are going well here at Savant Central. Shout! Factory may still be sending a Vincent Price Blu-ray Set for review; they've also announced a UA horror Blu-ray double bill for January, of The Beast of Hollow Mountain and The Neanderthal Man -- in their proper aspect ratios, according to the promo flyers. Cohen Media has promised their upcoming Blu-ray of Intolerance, clips from which look like an astounding leap in quality from what I've seen before. They also have René Clair's Beauty of the Devil, due in just a couple of days. More intriguing arthouse stuff is on the way: Icarus Films has Chris Marker's Le joli mai, which I've read about for ages and never seen. Zeitgeist has a Blu-ray of Hannah Arendt, a new drama starring Barbara Sukowa. Finally, Kino Classics is promising a December release for its Blu-ray of one of of Mario Bava's best gothic tales, The Whip and the Body. I've seen it back in the '60s on a tiny B&W TV as What!, in some okay disc releases and in a worn but colorful print shown at the Cinematheque in 1993 ... here's hoping that Kino's copy will be something special. Thanks for reading! Glenn Erickson
October 22, 2013
Savant's new reviews today are: The Elephant in the Room ![]() 10/22/13
Blu-ray ![]() 10/22/13
and ![]() 10/22/13
Hello! A couple of cute links today: ![]() Is that old car in your driveway in need of replacing? Do you need something less flashy, that won't get undue attention, or stand out in a crowd? And do you not need to carry anything around with you, larger than a book or two? Perhaps THESE are the wheels for you. I live in Los Angeles, and one of these babies would be a natural for cruising on Hollywood Blvd. Just don't get caught driving in a California fire zone. Versions begin at $80,000, with the deluxe model streeting for a paltry $240,000. Gracías to Gary Teetzel for the link. Do you remember the awful lyrics added to Elmer Bernstein's main theme for The Magnificent Seven? They've been immortalized on an alternate, better-forgotten trailer for the 1960 western. But Bernstein and Walter Mirisch didn't end their musical crimes there... you may want to think twice about listening to this vocal rendition of the (gasp) main title theme for The Great Escape. It's not a fake or a bad joke. It's real. Egads. I've received the Warners James Dean Ultimate Collector's Edition today, for which a review will be up by Saturday. Not quite in the door is the Shout! Factory Vincent Price box. I was told it was coming but ya never know about these things. Such is life. Those A.I.P. color Corman pictures really pop in Blu-ray, it's a fact! Thanks for reading --- ! Glenn Erickson
October 19, 2013
Savant's new reviews today are: Blu-ray ![]() 10/19/13
Blu-ray + DVD ![]() 10/19/13
and ![]() 10/19/13
Hello! Here's an important non-movie topic, thoughtfully sent to me by Gary Teetzel. I agree with Gary when he wishes that these were mandatory viewing for every school-aged child and teen in America. Consider it DVD Savant's way of being constructive without venting so many of my own personal political biases. Besides, I wish I were the logical and mentally discerning Open Minded Critical Thinker described in these powerpoint- like mini-lectures: Open-mindedness and Critical Thinking. Listening to so much rational sanity in one sitting is like a mini-vacation from TV news coverage. One question: isn't the correct term "closed-minded", not "close-minded?" ![]() I know, I know, just like me, you're dying to read an article on Israeli Zombie movies. Well, Matthew Rovner has put one together that's actually very interesting -- the walking dead in these films appear to comment directly on Israeli-Palestinian differences. The article is at The Jewish Daily Forward and is called What's Behind Israel's Zombie Outbreak? And lastly, I'll bet the news that Criterion is coming out in January with an expanded, almost-roadshow Blu-ray of Stanley Kramer's all-star comedy epic It's A Mad, Mad, Mad, Mad, World has already permeated into every crevice of online disc fandom. Robert Harris is in charge, and although this isn't the much-desired film restoration we'd like to see, reportedly the 70mm projection print clips used for the long-ago MGM laserdisc have been re-transferred and optimized, and combined with a few pieces Mr. Harris has located independently over the years. The multi-disc set will contain the now-standard shorter cut (which I saw projected as a 70mm restoration four years ago; it looks incredible) plus Harris's expanded version on a separate disc. A month or so back I got a note from an enthusiastic fellow helping to put together some of the extras. He said that he was going through over an hour of beautiful 16mm color BTS home movies of many of the film's big scenes, showing the practical effects rigging and including lots of shots of the comedian-stars cutting up, off camera. This sounds like a very special disc indeed. Thanks for reading! Glenn Erickson
October 15, 2013
Savant's new reviews today are:
of the United States Blu-ray ![]() 10/15/13
Tam Lin Blu-ray ![]() 10/15/13
and ![]() 10/15/13
![]() Hello! Last week Trailers from Hell knocked off a trio of coming attractions for space-themed '50s Sci-fi pictures, which of course means that Savant was sniffing around that site all week long. They're all up now. Ernest Dickerson discusses The Creeping Unknown (The Quatermass Xperiment, pictured left), Mick Garris plumbs new depths of profundity in Fire Maidens of Outer Space, and Joe Dante waxes nostalgic over The Man from Planet X. And Twilight Time has announced its release schedule for the first two months of 2014. We already have attractions like Oliver!, Jane Eyre and The Way We Were on the way. January 21 will bring us Blu-rays of Khartoum, Zulu, Titus (1998) and a 3D disc of Man in the Dark. February 11 will sneak in with Crimes and Misdemeanors, The Front, Thunderbolt and Lightfoot, The Blue Max and The Eddie Duchin Story. Thanks for reading! Glenn Erickson
October 12, 2013
Savant's new reviews today are: Blu-ray ![]() 10/12/13
Blu-ray ![]() 10/12/13
and Blu-ray ![]() 10/12/13
![]() Hello! This is certainly shaping up to be a happy Halloween for horror fans. I wasn't asked to make one, but here's a quick Blu-ray & DVD buying guide based on Savant's horror-centric tastes. Not yet reviewed are Georges Franju's Eyes without a Face, Udo Kier in House on Straw Hill (with a full docu on English "Video Nasties", Ban the Sadist Videos), Hands of a Stranger, Roddy McDowall's Tam Lin, René Clair's I Married a Witch!, the impressive A.I.P. Vincent Price Collection, Ray Milland in The Uninvited. And now readable at Savant are reviews for Robert Wise's The Haunting, Bert I. Gordon's Tormented, Curtis Harrington's Night Tide, the Region B Blu-ray of Corman's The Fall of the House of Usher, the 3D House of Wax, The House of Seven Corpses, Jess Franco's The Awful Dr. Orloff, Carpenter's Halloween, Dana Andrews in The Frozen Dead, Bela Lugosi in The Devil Bat, Guillermo del Toro's The Devil's Backbone and Terence Fisher's Frankenstein and the Monster from Hell. A couple of links to offer as well: this 53 seconds of slightly disturbing whimsy (?) can only be called The Mystery Truck Video. Tell me what it means... have they stopped screaming yet? And in response to an earlier post, faithful correspondent Ed Sullivan finds a precursor to The Cold Equations in a comic book by Al Feldstein with art by Wallace Wood. The whole thing is readable online: A Weighty Decision. Just click the individual panels to enlarge. Thanks for reading! Glenn Erickson
October 08, 2013
DVD Savant Newsletter
Tuesday October 8, 2013
Savant's new reviews today are: Bottom of the Sea Blu-ray ![]() 10/08/13
![]() 10/08/13
and The Essential Collection Vol 2 Blu-ray ![]() 10/08/13
![]() Hello! More radio shows today, courtesy of Dick Dinman. This time around he finds two ways to look at Hollywood's Pact with Hitler. As a response to Criterion's new disc of Ernst Lubitsch's To Be Or Not To Be, Dick interviews Ben Urwand, the author of a book about the relationship between the Hollywood studios and the Third Reich, THE COLLABORATION: HOLLYWOOD'S PACT WITH HITLER. The discussion carries across two separate shows, Part 1 and Part 2. In my review of The Fall of the House of Usher I ventured some thoughts about Roderick Usher's spooky gallery of portraits. Savant correspondent Martin Hennessee sends along a YouTube clip from Gilbert & Sullivan's ghostly comedy Ruddigore where the portraits of the milquetoast Baron's cursed ancestors come alive and command him to do his family duty of committing one evil crime per day. The clip is from a PBS version of the teleplay starring... you guessed it... Vincent Price! He doesn't appear in this particular clip but he's quite delicious as the Baron's elder brother. Thanks Martin! Reader W. David Lichty sends us to a YouTube radio production of Ray Bradbury's short story Kaleidoscope, which I was discussing last time in conjunction with Gravity. The voice talent is Paul Frees. And frequent correspondent Edward Sullivan sends along a link to the first Sci-fi story he ever read, which I remember reading when it was reprinted in Spacemen, another Forry Ackerman publication. It's Tom Godwin's 1954 The Cold Equations; despite being written before manned space flight, it raises Gravity- like anxieties over an unsolvable survival problem in outer space. Thanks for reading! Glenn Erickson
October 05, 2013
Savant's new reviews today are: Blu-ray ![]() 10/05/13
![]() 10/05/13
and Blu-ray ![]() 10/05/13
![]() Hello! Just got back from Alfonso Cuaron's Gravity, the pre-release and festival buzz of which made it the first film this entire year I actually wanted to see first run, ASAP. So we bopped on down to The Grove and had a good time. The movie is impressive, but not nearly the experience of Cuaron's previous pic Children of Men, which sent me scrambling for words of praise. This one's not a fantasy, but a wholly realistic story of a crisis in space. It's something to look at, with unbroken shots lasting minutes on end, and (to my eyes) flawless effects work from stem to stern. It's engaging in a, you-are-there, what-do-you-do? way. For some reason, I found myself getting a little impatient with the Sandra Bullock character's inability to knuckle down, keep her head up and do things like grabbing stuff when necessary. Good person but a chronic tool-dropper. I know she's not supposed to be an A-1 space pilot, and she's in a fix that would certainly prevent me from thinking straight, but I felt frustrated with her anyways. The film is about working through a complex problem from point A to Z, with every letter in between a crucial step -- sort of like getting your car out of the frozen snow but worrying that the ice you have to cross is too thin, and you know that hungry wolves will be descending on you in 90 minutes. It's a story of survival that aviators know well, especially flight engineers that are asked to solve problems that look unsolvable ... and the clock is ticking. When the movie arrives at a certain speech about taking on an optimistic outlook in the face of disaster, it soars for a minute... but basing another astronaut's defeatism in a 'traumatic incident from the past' seemed an easy dodge for me. I didn't feel all that close to the likeable characters, and I'm not so sure I'll remember the film for long. I hate to say it, but the 1995 Apollo 13 is still much more engaging, even with its crude CGI and the occasionally corny rah-rah stuff. Gravity: visuals and direction A++ ; 3D good too. Script B. Now to go look up the first science fiction short story I ever read, which I think is from Ray Bradbury's R is for Rocket. It's about five or six spacemen that spill out into space when a ship is cut open by a meteor or something. Some of the spacemen are drifting away into the void, to die a slow death, and some are falling back to Earth, to burn up like falling stars. They can't do anything except talk to each other on the radio. Thanks for reading! Glenn Erickson
October 01, 2013
Savant's new reviews today are: & El Rojo ![]() 10/01/13
Region B (UK) Blu-ray ![]() 10/01/13
Blu-ray ![]() 10/01/13
and Blu-ray ![]() 10/01/13
Hello! I'm sneaking through with a full roster of reviews today, thanks to collaborator correspondent Lee Broughton of the UK, who introduced me to the depths of Spaghetti westerns upwards of thirteen years ago. ![]() As you can see I'm up and running again, able to review Region B Blu-rays; the notice on Arrow's Deluxe The Fall of the House of Usher can finally go up. Many readers recommend foreign discs -- I wish they were more easily obtained for review. Every once and awhile something sensational pops up like Miracle in Milan or Hammer's extended Dracula, and you'll see me spring for it. I'm checking out Olive Films' disc Betty Boop Volume II, which I'm happy to report appears to consist of earlier Pre-code cartoons. I hope some of the musical classics are among them. Otherwise, I'll finally be able to get to the desired titles from Olive Films, Kino, Milestone, Criterion and the Warner Archive. It's fun finally seeing Plunder Road in full Regalscope, and Bert I. Gordon's Tormented in a copy that doesn't look like it's been run through a lawn mower. Flash for Gary Teetzel -- the Warner Archive just announced a title he's been asking about for years, the Robert Florey-Peter Lorre The Beast with Five Fingers. AND Criterion just announced a 24-hour 50% 0ff sale... details at the Criterion Real-Time Dashboard. Totally irrelevant but a shock to me was accidentally hearing on a web radio channel a pop instrumental tune I'd loved on the radio at age 16, back in 1968. It seemed to play just for a few days and I never heard it again until now. I've forgotten, remembered, and forgotten the melody several times over the intervening 45 (cough) years and practically fell over when it played this morning. My periodic attempts to find it failed because I thought it was by the same Frenchman who did the somewhat similar easy listening standard Love is Blue, Paul Mauriat. Nope, that was a dead end, and I'm glad I didn't buy any $50 Mauriat CD collections in a futile search. The song has the "???" name Soul Coaxing, and the key recording is by Raymon Lefevre and his Soul Orchestra. No wonder I never found it. Either that, or I was never in the right elevator to hear it coming over the Muzak. Anyway, in case you're curious, a YouTube rendering of Soul Coaxing is here. Thanks for indulging me in this -- for all I know, it's been playing constantly all this time. Thanks for reading! Glenn Erickson
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