Release List Reviews Price Search Shop Newsletter Forum DVD Giveaways Blu-Ray/ HD DVD Advertise
DVD Talk
Reviews & Columns
International DVDs
Reviews by Studio
Video Games

Collector Series DVDs
Easter Egg Database
DVD Talk Radio
Feature Articles

Anime Talk
DVD Savant
HD Talk
Horror DVDs
Silent DVD

discussion forum
DVD Talk Forum

DVD Price Search
Customer Service #'s
RCE Info




Home Vision Entertainment
2004 / Color / 1:78 anamorphic 16:9 / 90 min. / Street Date September 28, 2004 / 29.95
Starring Governor George Ryan
Cinematography Kirsten Johnson
Film Editor Carol Dysinger, Kate Hirson, Charles Olivier
Original Music Steve Earle, Dan Marocco, Peter Nashel
Produced by Dallas Brennan, Katy Chevigny, Angela Tucker
Directed by Katy Chevigny, Kirsten Johnson

Reviewed by Glenn Erickson

This notable Sundance festival documentary examines the rationale behind a controversial move by George Ryan, the governor of Illinois in 2002: He cleared his state's death row by commuting the death sentences of 167 prisoners to life imprisonment.

That unprecedented act of governance just before he was scheduled to leave office, was reported in most of the nation's media as an outrage, another example of liberalism gone wild. According to the coverage I saw, bad leadership had once again ignored the rights of crime victims and thwarted justice.

Deadline tells the story of the decision through interviews with journalists and activists, courtroom videos of months of hearings. The issue is a lot more complicated than it looks. A college journalism class had reinvestigated some capital cases and discovered that several convicted murderers were completely innocent, the victims of perjured testimony, extorted confessions and bloodthirsty juries. Governor Ryan reopened the case of every prisoner awaiting execution, and anti-death penalty activists went into action.

The docu brings a fair mind to a complicated and emotionally loaded issue. The Governor was appalled by a broken justice system that routinely railroaded poor minority defendants, especially in high-profile crimes. We get testimony to the effect that some of these death row criminals received almost no legal defense at all. One particularly compelling case shows a Mexican defendant from whom a confession was extracted after forty hours of interrogation that could easily be called torture. A non- English speaker, he eventually signed a confession he could not read. The only translator present was the interviewing officer.

Deadline gives the flipside of the issue its due. Journalists characterize Governor Ryan a small town pharmacist overwhelmed by his political responsibilities. Others calmly judge him to be naive. Victims' rights activists express the pain to long-suffering family members at the proposal that guilty parties be taken off death row. We're shown interviews with several convicts, some spared by the first 1972 ban on the death penalty, and others by Ryan's action. They can't be said to be a particularly convincing bunch; one who was involved in the shooting of a policeman blames heroin and tries to make it sound as if his work for the Black Panthers somehow exonerates him.

Altogether 13 death row inmates were proven to be innocent, a shocking fact indicating the need for drastic reform. The point of Ryan's mass commutation is not that most of the convicted aren't guilty but that ritual killings to gratify an emotional need are simply wrong. A warden tells us most of his peers are against the executions, and we see testimony from a group of victims' relatives who also believe in the abolition of the death penalty.

The death penalty is examined for what it is, society's revenge against heinous criminals. Ever since Richard Nixon made the War on Crime a major political issue it has become impossible for any political candidate to be elected without a strong anti-crime, pro-death penalty stance. Several states have become veritable execution factories, with George W. Bush's Texas leading the list. With the evidence of scores of proven wrongful convictions, Governor Ryan's action can be seen as a first step towards some semblance of a civilized method of applying justice to capital cases.

Deadline is a no-frills presentation of the facts that gives its issue balance and avoids overly emotional material from either side. Although clearly against the death penalty in general, it makes a persuasive case that American 'eye for an eye' attitudes are inbred, along with pervasive racism. Within our enlightened times is a clear streak of barbarism.

Home Vision's DVD of Deadline presents the good-looking docu in an enhanced transfer; Kirsten Johnson's camerawork is of exceptional quality throughout. The 90-minute show is accompanied by various outttakes, an unedited tape of Governor Ryan's announcement speech, an interview with the Governor, a Death Penalty Timeline and some filmmaker bio text pieces. Director Katy Chevigny and Kirsten Johnson tell the story of the making of the docu in a separate interview.

On a scale of Excellent, Good, Fair, and Poor, Deadline rates:
Movie: Excellent
Video: Excellent
Sound: Excellent
Supplements: Filmmaker interviews, full Ryan speech, interview with Ryan, Timelines, Bios
Packaging: Keep case
Reviewed: October 7, 2004

DVD Savant Text © Copyright 2007 Glenn Erickson

Advertise With Us

Review Staff | About DVD Talk | Newsletter Subscribe | Join DVD Talk Forum
Copyright © All rights reserved | Privacy Policy | Terms of Use

Release List Reviews Price Search Shop SUBSCRIBE Forum DVD Giveaways Blu-Ray/ HD DVD Advertise