Savant Review: Full Moon in Blue Water Full Moon in Blue Water MGM Home Entertainment 1988 / Color / 1:78 anamorphic 16:9 / 95min. Starring Gene Hackman, Teri Garr, Burgess Meredith, Elias Koteas, Kevin Cooney, David Doty, Gil Glasgow, Becky Gelke Cinematography Fred Murphy Production Designer Neil Spisak Film Editor Jill Savitt Original Music Phil Marshall Writing credits Bill Bozzone Produced by Moshe Diamant, David Foster, Eduard Sarlui, John Turman and Lawrence Turman Directed by Peter Masterson
	Reviewed by Glenn Erickson A total no-show in 1988, this quirky comedy-drama was received as (sigh) yet another Gene Hackman vehicle. A bit earlier, it was Michael Caine who was grinding out as many pictures a year as possible. Critics who ignored the show must have been looking for characters more forceful than the misfits pictured here. Full Moon in Blue Water creates an interesting tone and becomes an unusual, emotionally satisfying romantic comedy. Synopsis: The Blue Water Bar is in a crisis. No customers are coming and the local tax board is ready to close in, but owner Floyd (Gene Hackman) prefers to keep it closed most of the time, instead watching home movies of his wife Dorothy (Becky Gelke), who disappeared a year before. There's no lack of advice to get over her and get on with life, but nobody can budge Floyd, not his senile father in law, The General (Burgess Meredith), his hired hand Jimmy (Elias Koteas), nor his patient present girlfriend Louise (Teri Garr). She has enough money to pay the tax bill and enough gumption to get the bar back on a paying basis, but can't overcome Floyd's inertia. When local real estate cheat Charlie O'Donnell uses official pressure, Floyd's ready to fold. But before he can throw in the towel, events conspire to make Floyd reconsider how fortunate he is, and how much everyone at the Blue Water needs him. Full Moon in Blue Water succeeds in creating a specific tone that buoys a script with a few too many one-act twists. Most of the actors are excellent and the subject matter is fresh. Gene Hackman is moody and sympathetic as a heartbroken guy who can't see that he's loved and needed. A soft-hearted soft touch, he's attracted a group of misfits. Floyd takes responsibility for The General, an unpredictably coarse, wheelchair-bound dotard with a loud voice and a vivid imagination. Burgess Meredith has some of the funniest lines in the picture, but never tries to steal scenes by being adorable. A young Elias Koteas The Thin Red Line plays the unstable handyman, a troubled young man of diminished mental capacity who's easily taken in by the locals and who desperately wants to be somebody. Terrified of being re-committed to the asylum, he's devoted to taking care of The General but needs help to avoid bad decisions. Koteas comes across as a more loveable Robert De Niro type, and makes a pitfall of a character into an asset. Teri Garr's heyday as a romantic foil was almost over, but she's the best thing in Full Moon in Blue Water. An over-the-hill bus-driving spinster, you get the feeling that Louise is in love with Floyd because he's the one decent romantic prospect in a backwater of louts and pervs. She also has exactly the ambition and drive he needs to make the Blue Water go again, if she can just motivate him. This puts her in the awkward position of throwing herself at him again and again, much to the chagrin of her disapproving mother. Louise is a sensible powerhouse, who can eject the bar leeches who suck up Floyd's liquor on 'credit', and who can see the possibilities in a man and a night spot everyone else has given up for dead. Because she's no floozy, the scenes where she uses sex to try and rekindle Floyd's interest are touchingly positive, instead of seeming cheap. They call shows like this 'character driven', and Full Moon in Blue Water is a nice collection of originals. The supporting cast is more broadly drawn. The evil real-estate shark (Kevin Cooney) is certainly credible, but the dully-written local sheriff (David Doty) comes on a bit thick. What the critics probably complained about was the dramatic wind-up of the show, which involves several predictable twists - the one non-spoiler being that Floyd is being pressured to sell the Blue Water because local crooks know its value skyrocket once a new bridge to the mainland is announced. There's also a standoff with a confused, dangerously upset Jimmy that is nicely handled but more than a little pat. The carefully managed tone, it must be admitted, suffers a bit at the finale. An end-credit coda gives us a very happy ending, but it does seem a bit tacked on. The fact that the wheelchair-bound General is suddenly dancing, seems a bit forced. Full Moon in Blue Water concentrates on its peaceful pleasures and refuses to let dramatic fireworks or show-off writing spoil its lazy pace and warm but imperfect characters. It may have been a bust on the big screen, but it's a very pleasant diversion on DVD. Director Peter Masterson, the father of Mary Stuart Masterson, is best known for The Trip to Bountiful, but spent his career as an actor playing mostly soldiers. Writer Bill Bozzone's credits are even shorter, and he remains a mystery. MGM Home Entertainment's DVD of Full Moon in Blue Water is modest package, nicely appointed with a 16:9 transfer that makes it look very handsome indeed. As director Masterson frames many of his shots on the wide side, instead of concentrating on coverage closeups and singles, the extra picture definition and the approximation of the theatrical matting of 16:9 are big assets - on videotape, the open-matte transfer was just too loose. The so-so original trailer is included, and that's it. But there's no reason to complain when an almost-forgotten film like this comes to disc in such a nice presentation. On a scale of Excellent, Good, Fair, and Poor, Full Moon in Blue Water rates: Movie: Good Video: Excellent Sound: Good Supplements: Trailer Packaging: Amaray case Reviewed: April 20, 2002 [Savant Main Page] [Savant Links] [Article Index] [Review Index] [Savant 5 Year Report] DVD Savant Text © Copyright 2007 Glenn Erickson Advertise With Us Review Staff | About DVD Talk | Newsletter Subscribe | Join DVD Talk Forum Copyright © MH Sub I, LLC dba Internet Brands. | Privacy Policy | Terms of Use