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Resident Evil - Extinction

Sony Pictures // R // January 1, 2008
List Price: $28.95 [Buy now and save at Amazon]

Review by Ian Jane | posted December 12, 2007 | E-mail the Author
The Movie:

The Resident Evil movies may not be the most intellectually stimulating series of films to ever hit the silver screen but what they do, they do well. Based on the video game series of the same name, they stick to a pretty standard but completely reliable formula and that is "hot chick fights people/zombies and stuff blows up." What have the filmmakers done to differentiate this third entry from the two that came before it? Not much, truth be told. This time most of the action takes place in a desert.

For those concerned with things like plot and continuity, we learn that the plague that caused so many problems in the first two movies has spread out of Raccoon City and pretty much turned all of the Earth's population into zombies. The planet itself has also died and the Earth is now more or less a desert. Alice (the lovely Milla Jovavich reprising the role for the third time) has spent the last little while wandering the Earth all by her lonesome trying to avoid detection and capture by the sinister Umbrella Corporation. The powers that Alice showed in the first two films are starting to become considerably more powerful and Dr. Isaac (Iain Glenn) will stop at nothing to bring her in.

Meanwhile, a rag-tag group of survivors have formed a convoy that travels around from town to town scavenging for food, weapons and gasoline to stay alive in hopes of finding somewhere they can settle down without having to worry about the zombie menace. When they're attacked by a massive horde of zombie birds (infected from eating the flesh of the dead) Alice shows up to save the day. She joins up with the three top members of the convoy: Claire Redfield (Ali Larter), a former U.B.C.S. agent named Carlos Olivera (Oded Fehr) and L.J. (Mike Epps). Together they hope to make it to Alaska where they've heard there may be a safe haven from the zombies.

Unfortunately for everyone, Umbrella finds Alice and sends in a team to get her in what is left of Las Vegas and in the ensuing chaos, Isaacs is bitten by one of the undead. While all of this has been going on, Dr. Isaac has been creating clones of Alice in hopes of using her blood to develop a cure for the virus. Isaacs injects himself with what he believes to be an antidote but it has adverse effects and Alice finds herself having to showdown with him or pay the ultimate price.

First things first - if you aren't familiar with the events from the first two films, this third entry isn't likely to make a whole lot of sense. There's very little character development here and all we get as far as the back-story is concerned is a brief narrated intro that sets up the rest of the film. That said, if you have seen the first two movies and are reasonably familiar with their plots, you shouldn't have too much trouble following this film. Don't go trying to read too much into things, there's little here in the way of an actual continuation of the storyline - it's all glossed over fairly quickly in order to get us straight to the action. How does it fare on that level? Reasonably well. Yes, it's definitely a bit of a cliché at this point in the game to play with 'bullet time' every time a fight breaks out but the battles between the living and the undead in the film are pretty intense even if a little too much shaky-cam action proves distracting. Milla look great flying around and slashing at everything in sight and the film delivers a bit more splatter than you might expect. The zombies look pretty good here, the make up is quite effective, though seeing them change from the slow, lumbering Romero-esque zombies in the first picture to the fast-moving attack zombies in this new one (think 28 Days Later and you're on the right track) is a bit of a disappointment even if the influences of The Road Warrior work their way into the movie quite effectively.

Setting the action in the desert is an interesting stylistic choice as it makes an otherwise vacant movie stand out a little bit. The sets and miniatures used to show us what has happened to the Las Vegas strip are inspired and impressive and some of the cinematography is creative. Don't go looking for much out of the performers, however. Everyone plays it pretty much by the numbers here and while Milla is good in the lead, she doesn't do anything with the part that we haven't seen before in the two films prior. Don't go into this one looking for great acting or a complex story, instead go in looking for a pretty woman slaughtering zombies - that way you won't be disappointed. If you enjoyed the first two, this is more of the same... in the desert... with... zombie birds.

The DVD

Video:

Sony's 2.40.1 anamorphic widescreen transfer for Resident Evil: Extinction looks fantastic. Color reproduction is great and there's plenty of detail present in both the foreground and the background of the picture. Some shots look a little filtered but this is likely due to the way in which the film was shot rather than the transfer itself. Black levels stay strong and there are no compression artifacts to complain about even if some mild edge enhancement shows up in a couple of scenes. Flesh tones are lifelike and natural looking and there are no problems with heavy aliasing or shimmering.

Sound:

Audio tracks are supplied in English, French or Spanish Dolby Digital 5.1 Surround Sound mixes with optional subtitles available in English, French or Spanish and closed captions provided in English for the feature only.

As you'd probably expect from a film like this, Resident Evil: Extinction has some pretty active and aggressive sound design and as such there's plenty of surround activity coming at you from the rear channels during the fights scenes and the attack scenes. The score swells up nicely with most of the dialogue coming from the front and center part of the mix. Levels are properly balanced throughout and there are no problems at all with hiss or distortion. Bass response is nice and strong and you'll definitely feel it when your subwoofer kicks in during a few key scenes. Overall the film sounds pretty fantastic on this disc.

Extras:

Sony has supplied quite a few supplements for this release starting with a commentary track from director Russell Mulcahy, producer Jeremy Bolt and writer/producer Paul W. S. Anderson, who seems to have more to say than the other two. There's a fair bit of 'here's what is happening on screen' talk throughout this track but in between those moments there are some interesting explanations of how some of the effects were accomplished and stories about aspects of the production that were changed between the first draft of the script and the final cut of the movie. The three talk about shooting outside of Mexico City and they talk about some of the ideas and themes that they wanted to go for with the film, describing it at one point as 'a Spaghetti Western in a horror vein.' Ironically, a lot of the story details that are missing in the film (and which would have made it a better picture) are covered in this talk. In between the discussion of sets and soundstages and themes and casting, we also learn some interesting trivia about the film such as why certain performers were given certain parts and why the team chose to shoot on a specific soundstage in Mexico. There is some dead air here and there but it's not too problematic and for the most part this remains a reasonably active and informative commentary - it's fun to hear Mulcahy defend the decision to use 'buckets of blood' in the film!

Up next is a selection of eleven Deleted Scenes available to watch individually or through the 'play all' button. The eleven scenes are: Tracking Alice, Fresh One, Dr. Isaac's Research , 'Forever Hopeful', Coping With Reality, The 87th, Legend Of Alice, Alice's Powers, The Drive To Vegas, Vegas Memories and Remembering The Lost. None of the scenes really add much to the film save for a little bit of character background information, though a few of them contain some fun bits with the zombies. They're all presented here in non-anamorphic widescreen, interlaced unfortunately. Combined this material runs 8:28 and none of the scenes run for over a minute in length.

From there, check out the four making of featurettes, starting with Alice Vision: Pre-production (7:06) which obviously examines what went into the planning stages of the film before shooting actually started. Anderson shows up and talks about the influence of Fulci and Romero as he was growing up and how the first Resident Evil film jump-started a zombie movie revival and how he felt it was time, with this movie, to make a zombie movie on a broader scale and how a lot of post apocalyptic films influenced Extinction. Producer Kulzer talks about how Mulcahy was brought on board to direct and why, and Mulcahy waxes nostalgic about how great the script is. The second featurette, The Big Bang: Shooting Resident Evil: Extinction (13:53), takes a look at what it was like on set. There's some good behind the scenes footage here and it's interesting to hear how the cast and crew had to deal with the harsh conditions of the desert - though Ashanti seems to have enjoyed it. Milla talks about what was involved in the fight choreography and we get to see some interesting design artwork. Up next is Bigger, Faster, Stronger: The Undead Evolve (6:07). This segment examines the zombies that are used in the film. We hear from some of the effects guys who talk about their work and the look that they were going for, and we hear from some of the performers who played the zombies as well (at one point there were 300 zombies on the set). They also discuss Isaac's mutation and how the zombies in this film move much faster than zombies in the past films have. Last but not least is Vegas Visual Effects: Miniatures (4:49), which is an examination of the miniature models that were created for the picture. Anderson talks about the work that went into this and we hear from some of the technicians who worked on the miniatures who explain how CGI added the background sky and how computers were used to flesh out these scenes. These segments are all presented in anamorphic widescreen, though again, they're interlaced.

Rounding out the extra features is a quick preview for the upcoming CGI feature, Resident Evil: Degeneration (1:01), trailers for a few other Sony DVD releases, animated menus and chapter stops. The disc is stored in a standard keepcase which in turn fits inside a slipcase featuring identical cover art.

Final Thoughts:

Check your brain at the door and enjoy this one for what it is - a big, dumb, loud action-horror movie that delivers no real scares but which keeps things moving at a very rapid pace. Sure there are logic gaps and clichés all over the place and sure it rips off older and better but if you keep your expectations in check Resident Evil: Extinction is enjoyable enough. The disc looks and sounds quite nice and the extras add some value to the package. Fans of the series will want to pick it up, the curious can consider this a decent rental.

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

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