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Endless Summer (Director's Special Edition), The

Monterey // Unrated // November 16, 2010
List Price: $24.95 [Buy now and save at Amazon]

Review by Casey Burchby | posted July 7, 2010 | E-mail the Author

An opportunity to watch
The Endless Summer
again is never an unwelcome thing. Bruce
Brown's knowing, witty paean to surfing retains all of its charm after
more than forty years. With limited resources, Brown crafted a
polished, exciting portrait of the sport, highlighted by bold photographic
techniques and skilful editing that capture the thrill of surfing everything
from Malibu's gentle but sturdy breakers to the legendary monster
waves of Oahu's North Shore. Brown is not interested in the
origins and culture of the sport, but in the specific skills and strengths
of its key practitioners. Many of the great surfers of the mid-60s
are featured here, and Brown carefully documents their achievements
with great admiration.



The film's wraparound narrative
concerns the globe-trotting adventures of two surfers, Mike Hynson and
Robert August, who embark on a trip around the world in search of the
titular season and, of course, the perfect wave. They find both:
the first, as a result of their sub-equatorial destinations, moving
from west to east, and the second at a deserted (and desert-like) beach
at Cape St. Francis, South Africa. The pristine and previously-undiscovered
break at this site provides the most memorable surfing in the film:
extraordinarily long breakers that maintain a consistent, smooth integrity
such that rides easily last several minutes apiece.


Hynson and August surf in Senegal,
Ghana, South Africa, Australia, New Zealand, Tahiti, and Hawaii.
Brown's enthusiastic filmmaking invites us to experience the manifold
rush of surfing, and educates us as to the varied nature of the surf
itself. The Wedge at Newport Beach is a case in point; this bizarre
(and dangerous) break features huge waves that crash directly onto a
banked beach. It offers a tempting challenge to surfers (and bodysurfers)
who must understand its peculiar features in order to avoid a broken
neck.


Prior to The Endless Summer,
Brown had made a number of shorter, silent documentaries about surfing,
which he would tour roadshow-style at high schools and public auditoriums,
providing live narration himself. The Endless Summer was
his first "completed" feature, with music by The Sandals and recorded
narration. It was shot on 16mm cameras and might be the most beautiful
film ever made on that gauge. Although sharpness is accordingly
reduced, Brown's feeling for color and composition easily overshadows
any perceptible technical limitations. Although most of the photography
is shot from the shore, Brown occasionally mounts a surfboard himself
in order to capture the technique of his subjects up-close. Complementing
the undeniable appeal of the images is a fluid editorial style that
moves the narrative forward while allowing for the odd tangential sequence
in Hawaii or Santa Cruz or Newport Beach.


Brown's narration showcases
the filmmaker's intimate knowledge of the sport, the vagaries of the
ocean and its behavior, and the hard work and consummate skill of his
surfers. Since the film was shot without live sound, the music
(by The Sandals) and narration make up the bulk of the soundtrack.
Brown has a whimsical Californian sense of humor that prevents his delivery
from ever being heavy-handed; his considerable expertise never comes
across as elite.



It's plain that
The Endless Summer
remains enormously influential - a beautifully-filmed
ode to a sport and its talented (and unfairly ridiculed) devotees.
It maintains a keen appeal even as it ages. Brown is now recognized
as one of the inventors of the sports documentary, but his skills as
a filmmaker - regardless of genre - remain impressive, particularly
given The Endless Summer's tiny budget.



The DVD


The DVD


Monterey Media is re-releasing The Endless Summer in a two-disc
package it's calling a "Director's Special Edition." This
doesn't bring us an extended cut of the film, but rather a digitally
re-mastered one, and a fine-looking job it is. I watched the feature
on a Blu-ray player connected to a 42-inch full HD monitor - with
none of the artificial enhancers activated. The 1:66:1 image looked
outstanding. Keep in mind that this was shot on 16mm about 45
years ago. The color is astonishing, and Brown's sense of composition,
along with the nonchalant physicality of his shots, is finely serviced
through this excellent transfer. The sound has been cranked up
to 5.1 surround, although a stereo track is also available. The
clarity of each is crystal, and the 5.1 track doesn't add much, given
the limited range of the original track. There is added ambience,
though, although I think I prefer the two-channel track.


Bonus Content

All of the bonus content is relegated to the second disc.
A Look Back at The Endless Summer
(40:54) is a thorough retrospective
that takes a look at Brown's career, the making of the film, and its
considerable legacy. Bruce Brown Timeline (4:21) is a short
video overview of Brown's life and work. Revisiting The Endless
Summer
(6:25) is a teaser for the film of the same name, a film
of outtakes from The Endless Summer and its sequel, compiled
a few years ago by Brown and his filmmaker son, Dana. Artwork
from Around the World
(1:58) collects images of different versions
of the film's poster. There are also text biographies and a
text screen about the film's famous poster image.



Final
Thoughts


The Endless Summer is
an exemplary, exhilarating film. Its elegance and mass appeal
haven't aged a day since 1966. Monterey Media has done an excellent
job cleaning up the film's image and sound for this new DVD release,
and have assembled a thoughtful group of bonus features, as well.
As a fan of the film, I could have used even more in the bonus department,
but the film is so powerful in its simplicity, elegance, and lightness
that it hardly matters - plus, the newly-spruced image is just stunning.
DVD Talk Collectors Series.

Casey Burchby lives in Northern California: Twitter, Tumblr.

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