|Reviews & Columns|
TV on DVD
Reviews by Studio
Collector Series DVDs
Easter Egg Database
DVD Talk Radio
The M.O.D. Squad
DVD Talk Forum
DVD Price Search|
Customer Service #'s
I Am a Fugitive from a Chain Gang
The trailer for the upcoming King Kong was on my mind when I re-spun this terrific pre-Code drama the other day - the early 1930s were such a great time for daring content in movies. We studied I Am a Fugitive from a Chain Gang in film school. Around that time Stanley Kramer brought us his new movie Bless the Beasts and Children and expected to be hailed as the greatest filmmaker alive. His 'controversial' movie was a tepid joke.
I Am a Fugitive from a Chain Gang was made during a relatively short period of time (late 1930 to mid- 1934) when studios were free to pursue racier content, before the enforcement of the code put married people in twin beds and forbade anything hinting at vice. In the first years of the Depression a strange spell of foreboding fell over the country, the idea that institutions were corrupt and that the whole political structure might collapse as had the economy. King Kong expressed (in one of its many interpretations) the public's unconscious desire to see civilization toppled, for some force of nature to bring the system to its knees. Chain Gang's true story of outrageous injustice brought the same emotions to the surface - audiences wanted to see Paul Muni strike back against his tormentors, in any way he could.
I Am a Fugitive from a Chain Gang was one of the most popular movies of 1932, in the 'dark depths' of the Depression when unemployment was at its highest. The movie is about the injustice suffered by Robert E. Burns, who at the time of the filming was a real fugitive. Warners cleaned up his scandalous autobiography somewhat for the purposes of ironic contrast, mainly by making 'James Allen' a talented builder instead of Burns' salesman and publisher. The film raised public awareness and contributed to Burns eventually being given a commuted sentence.
The studio also hid the fact that Georgia was the villainous state in question. Seen in 1932 or today, the film has a powerful emotional effect on audiences - James Allen is a lightning rod for social frustration. Paul Muni explodes with rage upon hearing that his pardon has been denied, a moment that still sets one back in one's seat. Muni looks ready to start a revolution.
Even after seventy years of repetition and parody, the chain gang scenes are still pretty rough. There's Sullivan's Travels and Cool Hand Luke, not to mention spoofs like Woody Allen's first film, Take the Money and Run. "Who didn't give me a good day's work!" isn't heard around offices much any more, but for decades people knew it referred to the sadistic warden walking among his 'employees' in search of his next new whipping victim.
Mervyn LeRoy is more famous as a producer but he directed his share of classics, with I Am a Fugitive from a Chain Gang surely at the top of the list. It has a number of scenes that have become famous. Allen tries to pawn his Belgian Croix de Guerre, only to find that medals of valor are a dime a dozen. For his first escape, Allen asks a fellow prisoner named Sebastian (Everett Brown) to bash his leg irons with a ten-pound sledge hammer. While on the run, Allen spends time with an undisguised prostitute. It's also made clear that he's been sleeping with his landlady, the dependable Glenda Farrell (Mystery of the Wax Museum). 1
The grim ending is one of the bleakest in movie history. The conclusion of The Seventh Victim goes higher on the cosmic-poetic scale and there are later films noir that work up more miserable ends for their protagonists, but Chain Gang takes the cake for making an audiences' collective blood run cold. Savant won't spoil it here.
Warners DVD of I Am a Fugitive from a Chain Gang is available separately or as part of their Controversial Classics Collection; it's the oldest but by no means the least title in that boxed set. The transfer looks fine, with only a little damage here and there - older prints and videos have been pretty wretched.
Warner's box copy skips the film's political content, stressing Robert Burns' "will to be free" instead of James Allen's obvious desire to blow society to bits (His best prison pal isn't named 'Bomber' for nothing). There's a vintage trailer and a curious musical short subject parody of the film, in which chain gang life is so cozy the criminals turn themselves in to enjoy the benefit. But the best extra is the highly informative commentary by USC professor Richard B. Jewell. He places Chain Gang in its Depression context, linking it to the resentment felt by the thousands of ex-soldiers that marched on Washington, only to be brutally repressed. Jewell closely compares the slightly whitewashed film version to the less clear-cut factual case and points out many interesting details. He identifies a rock quarry in the film as being out in Chatsworth somewhere, which is probably accurate for a large site seen in Allen's second prison term. But the first quarry location is clearly our old stomping grounds The Bronson Caverns, seen in countless movies since 1922.
The package cover features dramatic original art from the movie's first release. Jewell's commentary tells us that this movie cemented Paul Muni's Hollywood star, after his big breakthrough in Howard Hawks' Scarface.
On a scale of Excellent, Good, Fair, and Poor, I Am a Fugitive from a Chain Gang rates:
Supplements: trailer; musical novelty 20,000 Cheers for the Chain Gang; commentary by Richard B. Jewell.
Packaging: Keep case
Reviewed: July 16, 2005
1. A dialogue line from a socialite played by Helen Vinson gets a different kind of reaction. She assures Allen that she can go out with him because she's "free, white and twenty-one." Even when the production code clamped down, the frequency of that line didn't decline in Hollywood movies, along with its companion: "That's mighty white of ya!"