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Cock Sparrer - What You See is What You Get

Other // Unrated // November 22, 2005
List Price: $18.98 [Buy now and save at Amazon]

Review by Ian Jane | posted January 31, 2006 | E-mail the Author
The Movie:

An on again off again entity in the British punk scene since their early days playing small pubs in the mid seventies, London's Cock Sparrer have gone on to influence an untold number of bands that have, ironically, gone on to bigger success than the Sparrer boys themselves. Outfits like The Dropkick Murphy's and Rancid, who play around with early English punk and Oi! music sounds owe the band a debt of gratitude and their influence continues to inspire and sway musicians to this day, three decades after the fact. Despite the fact that the band has broken up numerous times and been screwed over by multiple record companies and suffered a couple of line up changes, they're still going strong as this complete concert, filmed at the Holidays In The Sun festival at Morecambe in England in 2003 aptly demonstrates.

While it's great to see this underappreciated act headlining a show in front of what vocalist Colin McFaull says is their biggest crowd ever, there's on problem with this concert and it's that the stage and the venue are just too big. The band stands fairly far apart from one another as they scream through a full ninety-minute set and there's a barrier in front of the stage that keeps the enthusiastic group of punks, skins and onlookers at least five feet from the stage at any given time. Should they cross that barrier, there's security guards to deal with who aptly escort the crowd surfers and would be stage divers away from the band. While it makes sense to have good security at a festival event, Cock Sparrer are an old school street punk band and as a lot of the live footage in the extra features section demonstrates, they go over much better in crowded dingy bars and smaller, more intimate clubs like CBGB.

With that being said, despite the fact that the band members are well into their forties and some are past their fifties, they sound fantastic here. They're enthusiastic and rowdy and eating up the crowd's cheers and while maybe they don't move around or pogo as much as they do in the vintage clips provided here, they've still got a lot of energy and the fans seem to feed off of that. Some songs go over better than others but all of the old material is met with much slam dancing and fist pumping, particularly when the band closes the set by going from a cover of The Clash's White Riot into their own England Belongs To Me, arguably their most popular song and with good reason, as it's catchy as all Hell.

When the band broke up the first time, a lot of the groups that came after them such as Blitz and Sham 60 went on to find reasonable success as the scene that Cock Sparrer helped to start finally took off. While it's a shame that they weren't really there to reap the potential rewards that this might have offered them, the enduring popularity of their working class anthems and the catchiness of their music earned them a fan base that kept them alive even in their absence. Tracks like Argy Bargy and Chip On My Shoulder sound as good here as they probably did when they were first played decades ago and even more pop oriented songs like Teenage Heart go over really well with everyone in attendance.

Aside from the limitations of the venue, however, the cinematography leaves a bit to be desired as do some of the post production editing and video effects. While it might seem cool to fade out to black and white for no reason, it's only distracting in that it takes away from the live experience itself and reminds us we're not really there. The limited amount of camera angles and focus on band members other than McFaull and guitarist Mick Beaufoy is also disheartening – while we know the other band members are there from the far away shots (of which there are many), the close ups that get right in front of the band don't give the other members nearly as much focus. That's not to say that they're ignored, I'm sure that wasn't the intention, but they certainly don't get the lion's share of the screen time as the other two do. The over use of red lighting also hurts the visuals as well in that it hides a lot of the band's facial expressions and details like that which serve to bring us into the live show a little more.

Minor complaints aside, however, this is a really good show. What matters here is the music and the enthusiasm of the band and the crowd and we get all of that in spades. The band plays as fast and furious now as they ever have and this recording serves as a solid testament to the fun and inspired lunacy of their live show.

The DVD

Video:

Everything here was shot on video and for that reason it makes sense that it's all fullframe. Sadly, some of the older footage is in rough shape but just to be able to see it at all is a treat and it honestly doesn't look any worse than a lot of other concert footage shot around the same time. The newer concert footage doesn't look so hot either as the reds really bleed all over the place and wipe out a lot of the detail that should be there but isn't. The good news is that there aren't any compression artifacts or other major digital transfer issues to complain about and that the image stays stable throughout playback. The footage shot for the documentary included on the second disc looks a lot better, it's brighter and more coherent looking than the concert footage is, which makes sense considering how difficult it can be to shoot video under harsh stage lighting.

Sound:

More or less everything on this set is in Dolby Digital 2.0 Stereo and it gets the job done just fine. Some of the archival bits on the second disc are a bit muffled but that's par for the course with older video footage and shouldn't come as a shock to anyone. The concert on the first disc in the set sounds quite good, though there are a few moments where the guitars get just a little softened in spots. Other than that, the band sounds great live and this mix does them justice. The vocals are pretty clear and the bass and drums in the lower end are strong enough to pack a punch. The crowd can be heard well enough that we know we're watching a live show but they're not so loud in the mix as to overpower the band themselves.

Extras:

While the bulk of the supplements in this set are on the second disc, aside from the concert the first disc also has a few doozies. First up is are two 'montage songs' which are basically clips from different live performances of the same song strung together into a coherent version. The first song is Sunday Stripper and it highlights some of the lovely and not so lovely ladies that have gotten up on stage with the band throughout various live gigs and exposed the goods to the band and the crowd. The second song is England Belongs To Me which is more in spirit of what the band is all about as it's made up of clips from various club shows and it shows better than the concert footage itself just how rowdy some of the smaller venues get when these boys are on stage.

Also contained on the first disc is twenty minutes of footage from the band's first ever tour of the United States. They played on date at CBGB in New York, one in Boston and two on the west coast in California and this segment gives us a good idea of just how fast they showed up, did their thing, and left. The CBGB footage is fantastic, anyone who has ever been there knows that the place is about as big as a closet and to see it packed with rowdy punks falling all over one another and the band just eating it up is pretty fun stuff. In between live bits we see the band in airports, passed out on planes, and trying to find their way from one show to the next. It's an enjoyable look at what was a probably a pretty chaotic mini-tour.

A fifteen minute interview with the band that was recorded before the concert presented on this disc gives us a good look at their fans, many of whom are probably half their age. Their popularity has lasted a long time and it's neat to see how appreciative they are of the fans in this interview where they talk about the origins of the band and how they're endured up to the present time (or at least what was the present time in 2003 when this was recorded).

The last extra on the first disc is entitled Playing A Day The Cock Sparrer Way and it's a twenty-one minute examination of Mickey Beaufrey's buzz-saw guitar sound through the words of the man himself. Not being a guitar player, it was tricky to get much out of this but fans with more musical inclination than this reviewer might enjoy his examples of how to play various songs and get the same kind of sound out of a similar instrument.

The second disc starts off with a fantastic feature length documentary entitled Memory Lane that documents the entire history of the band from their origins in the East London of the early to mid seventies through to the present day. This in depth look at the band covers line up changes, record label hassles, touring, club shows, and fans and anyone who is even remotely into Cock Sparrer should really enjoy hearing the band's story in their own words. A lot of the documentary is the band members trudging around town to various landmarks that represent different phases of their career, some of which, like certain clubs where they played in the early days, are long gone. The guys aren't always polite but they're always honest and they pull no punches when talking about the ups and downs that they've encountered throughout the years. They discuss their infamous meeting with Malcolm McLaren, who wanted them to open for a then unheard of band called The Sex Pistols (they declined when he wouldn't buy them a round of beers) and the cover the way that their first label, Decca, screwed them over. They also talk affectionately about the fan base that they almost never knew they had, their influence on what would become the Oi! scene in the early nineties, and loads more. It's an affectionate look back, and it's not only insanely thorough but completely enjoyable as well. There's a fantastic selection of archival live footage and photographs taken from throughout their three decade plus career and that, combined with the interviews, makes this an essential watch for the band's fans.

The second disc also rounds up some excellent live clips of the band from various parts of their career shot during the years from 1994 through 1996. There are also a few promo videos thrown in for good measure (We Love You from 1977 and Because You're Young filmed on the band's tour from 1994) as well as a nice selection of interviews with the band members that was filmed in London after they'd completed the Memory Lane documentary. In text format, the DVD also includes the complete discography for the band as are the lyrics for each of the songs off of the band's four full length studio albums.

Rounding out the extra features is an insert booklet that contains a brief history of the band as well as an explanation of what some of the various extra features on this set actually are and where they came from. It's a nice little guide to the disc and it's also got some keen pictures of the band in it as well.

Final Thoughts:

A solid live show combined with an excellent full length documentary and a wealth of extra features makes Cock Sparrer – What You See Is What You Get a truly excellent package for fans of old British punk and Oi! music and Cock Sparrer fans in general. While the audio and video isn't always perfect, it's good enough considering the age and rarity of much of this material, and it's not hard at all to slap this two disc set with the 'highly recommended' stamp.

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

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Highly Recommended

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