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Viridiana - Criterion Collection

The Criterion Collection // Unrated // May 23, 2006
List Price: $29.95 [Buy now and save at Amazon]

Review by Ian Jane | posted November 8, 2006 | E-mail the Author
The Movie:

Viridiana is famous and important for a few different reasons, not the least of which is the fact that it's the film that Luis Bunuel chose to make after returning from a twenty-year self imposed exile in Mexico. Franco's government allowed a few artists back into the country, Bunuel being one of them, and encouraged them to create but it's rather unlikely that they expected to get anything even remotely close to this film, which explains why once it debuted it was subsequently banned thanks to no small amount of pressure from the Catholic Church.

The film tells the story of a virtuous nun named Viridiana (played extremely effectively by Silvia Pinal) who is sent off by the powers that be to go pay a visit to her eccentric and aging uncle. Upon her arrival she's greeted by some truly bizarre behavior and it soon comes to pass that he and his servant, Ramona, are working together to keep her from going back to the convent. His attraction to his niece becoming more and more obvious, he decides to put the moves on her but at the last minute he chickens out, showing some semblance of a conscience and causing Viridiana to flee. Before she can make it back to the convent, however, she's pick up by the police and brought back to her uncle's estate which she is now part owner of. He killed himself, overcome with grief for his horrible behavior, and left all of his possessions to Viridiana and Jorge, his illegitimate son.

Viridiana stays true to her vows and opts to use the home as a hostel for the less fortunate and the homeless people that populate the area. Jorge, on the other hand, grabs his new found freedom by the reigns and moves his girlfriend in with him. Viridiana tries to get some of the homeless people that she's helped to take on some of the duties around the house but they simply laugh at her, content to let her carry the bulk of the burden on her own. When Viridiana and Jorge head into town one day, the vagrants take advantage of the situation and throw a raging party, attempting to take advantage of Viridiana upon her return. Thankfully Jorge steps in but things don't end the way one would imagine they do and it all gets very twisted and strange by the time the closing of the film arrives.

While on the surface the narrative for the film is deceptively simple, there's a lot more to this movie than the simple tale of a woman who tried to do the right thing and got hosed for it. Bunuel allows things to build, culminating in a fantastic last act wherein the blasphemy and madness of many of the supporting characters comes full circle and manifests itself in one final blast of depravity. While nothing is overtly explicit, the finale still packs quite a punch and the mix of truly black humor and fantastic cinematography has quite the lasting effect on the viewer.

Pinal carries the film well, her performance standing out and her screen presence bringing a sense of naïve class to the picture. She surrounds herself with those she can feel superior to and her interaction with them bounces back and forth between genuine kindness and the sort of condescending attitude a Sunday school teacher might have with a class of rowdy children. Her character makes an interesting contrast to Jorge, who eschews the values of the church and is instead true to himself. Interesting then that he should be the hero at the end of the film considering the moral that the film carries (that being, at its core, to simply be yourself and not what society, government or church would dictate you be).

In the end, Viridiana is a very clever film and a very subversive one at that. It plays around with symbolism and subverts a lot of expectations when you dig a little deeper and explore what lies beneath the surface of the film. Bunuel made a lot of great films and Viridiana stands alongside the best of them.

The DVD

Video:

The 1.66.1 anamorphic widescreen black and white image isn't perfect but it is quite good. There's some obvious bright level boosting present in a few scenes and some mild print damage present in a couple of spots but thankfully there aren't any mpeg compression artifacts or edge enhancement issues to note. Fine detail in both the foreground and the background of the image is strong and contrast looks spot on. If not for the print damage, this would surely rank higher. Regardless, the picture is consistent and strong and is overall of very nice quality.

Sound:

The mono soundtrack and the optional English subtitles are quite nice. There aren't any problems with hiss or distortion and the background music and few effects used in the film are properly balanced around the dialogue. The subtitles are clean and clear and easy to read and free of any typographical errors.

Extras:

The two main supplements on this release are video interviews with actress Silvia Pinal and film critic Richard Porton. Pinal talks about her career as an actress and then goes on to explain specifically how she got involved with Bunuel and how she came to work on Viridiana. Porton does a fantastic job of putting the film in the context of the political climate and time in which it was made, explaining why the film landed its director in some hot water and the subsequent effects that this had on his career. He also explains some of the symbolism that is used throughout the film and details a few of the more unusual touches that we see as the movies plays out for us.

An episode of a French film discussion show entitled Cineastes De Notre Temps from 1964 is also included on this disc. Bunuel is interviewed at some length for this show and he talks about his affiliation with Salvador Dali and what happened between them to sour their relationship. Additionally, he explains some of his motivations as a filmmaker and as a surrealist and at times he seems to be intentionally messing with the interviewer for his own amusement.

Menus and chapter stops and the film's original theatrical trailer are included here as is a nice booklet of liner notes which contain a text interview with Bunuel as well as an essay on Viridiana itself from author Michael Woods – both of these are well worth reading as they do shed some light on the history of the film and its genuinely unusual director.

Final Thoughts:

While the presentation and supplements aren't on par with the best that Criterion ahs to offer, this is still a very nice disc even if it isn't quite perfect. The absence of a commentary track is unusual, but the movie itself holds up really well and fans of Bunuel or of surrealism in general this release comes highly recommended.

Ian lives in NYC with his wife where he writes for DVD Talk, runs Rock! Shock! Pop!. He likes NYC a lot, even if it is expensive and loud.

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C O N T E N T

V I D E O

A U D I O

E X T R A S

R E P L A Y

A D V I C E
Highly Recommended

E - M A I L
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