To the masses Top Cow may not be a well known juggernaut like DC or Marvel but comic book fans know the company intimately. I remember when the publisher began releasing its first line of titles and spawned from Image. Operated by Marc Silvestri, Top Cow launched its most popular comic, Witchblade, in 1995. The series went on to be very successful with a continued release, a short-lived TV series, and rumored film in the works. About a year ago the franchise quietly jumped across the ocean and landed in Japan.

Last year GONZO worked with director Yoshimitsu Ohashi and designer Uno Makoto to produce an anime series based upon the Witchblade universe. If you were ever a fan of the comic book then you should know going in that this Witchblade is very different. Sarah Pezzini is nowhere to be found and the show takes place in a dilapidated Tokyo rather than New York City. This change in venue and focus may be jarring at first for fans but like many other franchise if you look at this anime as simply an alternate continuity then it's easy enough to accept.

The show seemingly takes place in the future judging by some of the available technology, though they never really discuss a time period. When the series begins we are introduced to a mother and daughter who are on their way to Tokyo. Masane Amaha and her child, Rihoko appear to be two peas in a pod though Masane isn't particularly motherly. With a penchant for behaving in an immature fashion it's safe to say that where Masane lacks some maturity her daughter Rihoko picks up the slack. The two need each other in order to survive but when Child Welfare Services comes to separate them things turn ugly.

As Rihoko is carted away Masane steals a police car and chases after them, which results in her crashing the car and winding up in a detention center. Rihoko manages to escape and bumps into a nosey reporter who begrudgingly becomes her babysitter. While all of this is going on a rash of violent murders it taking place all over the city. Bodies are being literally grinded into hamburger and the police remain baffled as to what the cause is. When we visit Masane in the detention center we soon see what monstrosity is actually perpetrating these crimes.

This guy in a cell near Masane turns into a giant monster with a drill bit attached to his head that also is equipped with a blade. He makes minced meat out of a guard but when his attention is turned to Masane he bites off a little more than he can chew. Out of nowhere Masane's wrist glows red and her body is transformed into a voluptuous warrior whose armor leaves little room for the imagination. She launches herself at the monster and rips him in two with a blade attached to her arm. I'm sure by now you've realized that Masane is not only an anime MILF but the wielder of the Witchblade as well.

Throughout the rest of this volume there really is nothing that gives way to her origins or how she came across the weapon. She has no prior records of any kind and the fact that she has no memory prior to six years ago doesn't help matters. As most of Japan resides under water thanks to a disaster from six years ago it seems strange that Masane was discovered at the epicenter of it all with baby Rihoko in her arms. Hopefully as the show progresses we'll learn more about her past and find out what has really gone on.

At any rate Masane is inevitably captured by a corporation known as Douji who has their hands in weapons manufacturing and knows more than a thing or two about the Witchblade. In their company Masane is forced to be a sub-contractor of sorts and is employed as a weapon to destroy the monsters known as X-Cons. Naturally this gives way to a lot more fighting, fan service, and questions about the new wielder of the Witchblade. Before this volume ends we are also introduced to other women who apparently use weapons similar to the Witchblade which adds more to the mystery.

The four episodes in this introductory volume do a very good job of setting the mood for the series. Its edgy, sexy, and cool demeanor separates it from the American comic book, though to be fair that particular continuity was all of those things and more. So far this looks like a great direction for Witchblade to be headed and I'm eager to see what the future holds for Masane and her daughter Rihoko. Fans of the comic and newcomers alike will appreciate what this show has to offer; boobs, blood, and all.

The DVD:

If you have read any of my reviews then you already know that I love GONZO productions. They have a way of rendering a show with cool designs, slick animation, and higher than average video quality. Witchblade fortunately does not break from GONZO's tradition of excellence.

The character designs for the show by Uno Makoto come to life with a great level of detail and presence in most every scene. Considering Makoto lent his designing talents to other shows like Gravion and Love Hina I'm sure you can ascertain just how, um, "developed" the female characters are. The action and animation is also top of the line though I do have to share some of my disappointment with a couple scenes during this volume. There were some times where the movement of the characters just didn't feel as fluid as it should have though I suppose some of this could be attributed to Masane's speed while she's using the Witchblade.

Technically speaking the video quality on this disc is fine enough but it's nothing entirely stellar. FUNimation has included four episodes here though the compression rate is slightly higher than average and you're going to see blocking and artifacts nestled in darker sections of the image. Some slight grain was also present in scenes where lighting wasn't designed to be the best and I spotted a few instance of aliasing here and there. There are plenty of moments where Witchblade looks brilliant though and on the whole the transfer here is better than most. I just wish FUNimation hammered some of the nitpicky flaws out of this release.

Like most recent series released here in America Witchblade comes with three audio tracks. On the lighter side of things is a pair of 2.0 stereo tracks for English and Japanese languages. The audio quality in both is exemplary with precise and flawless sound but it unfortunately doesn't pack the wallop on the soundstage that you'd hope it would. That's where the English 5.1 track comes into play. Once each channel kicks in you'll notice an improved sense of immersion in almost every regard. Dialogue and music filters through to the rear channels though neither really matches the presence that the sound effects have. With all of the fighting going on in this volume the track does breath plenty of life into the release but it's not nearly as much as you'd expect. I've heard more prominent tracks before but this one is quite capable.

With regards to the dubbing quality both the English and Japanese languages offer an enjoyable experience though I feel that the English dub has a little more fun with the "sexy" part of Witchblade. Sometimes it sounds like Masane is having an orgasm when things really heat up. Sure it's kind of silly but it does play into the way the character was designed.

The first volume of Witchblade offers a two minute promotional video for the show as well as textless opening and closing animations. A little booklet has been tossed into the DVD case as well with staff interviews and some production artwork. Also included for this release is a 14 minute tour of the Top Cow studios. I found this to be particularly interesting because, as a fan, I've always wanted to see what the comic office looks like.

The Top Cow office was a little small than I imagined it to be though since it's cluttered with comics, toys, and artwork I'm sure it's probably larger than it appears to be. Silvestri guides the tour and talks a little about the company, Witchblade, and himself. He is personable enough to keep the feature entertaining and fills us in on his creative process as he goes along. Hopefully in future volumes we'll get a commentary with him with thoughts about the anime series. It's wishful thinking probably but who knows!

Also included with this first volume is an interview with Masane Amaha's Japanese voice actor, Mamiko Noto. For the most part she answers simple questions such as what she likes about it and whatnot. There's nothing here that really provides information about the series but it does tell some of the background from Mamiko's experience which is nice to have. As we usually see with interview segments such as this most of the content is kind of fluffy.

Final Thoughts:

After four episodes of Witchblade I have admit that I'm intrigued by the series. Masane's character was interesting to see develop and watching the Witchblade in action provided the necessary thrills that I thought it would. A lot of questions regarding the history of the Witchblade, involvement of the various organizations, and Masane's past. These mysteries kind of leave the first volume of Witchblade unbalanced though hints are dropped about potential answers in the coming installments.

I found these episodes to be entertaining and I'm hooked enough that I would definitely recommend it to anyone; fans of the comic book in particular. I just haven't seen that spark or thing that sets this show apart from others. Sure it's Witchblade and yes that's cool enough on its own but let's see where the rest of the series goes before we get too excited. For now Witchblade comes strongly recommended.

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