Serebrier starts the program off with Wagner's "Prelude to Die Meistersinger," the only performance on this disc that I felt was occasionally stilted. Even with a too-mannered start, the brilliant brass playing with perfect intonation made this an obvious crowd-pleaser with which to get the show on the road. The next piece was decidedly less mainstream, Serebrier's own Symphony No. 3 for string orchestra. The first movement starts with a bang, with a brisk pummeling motive that sounds like a cross between John Williams' Jaws music and some of Roger Sessions' symphonic pieces (especially his Third Symphony). Interestingly the second movement is given over exclusively to the celli for the first several minutes, something rarely seen (or heard) in the orchestral repertoire. The final two movements which segue into each other are slower, more introspective fare, with the finale featuring some wordless vocals by Carole Farley. Unfortunately the balance between Farley and the massed strings is decidedly unequal and she's more than a bit hard to hear at times. Equal parts lyrical and strident, Serebrier's piece certainly deserves attention from the world's best orchestras (and I couldn't help but wonder if it could be adapted for string quartet, as it reminded me several times of Villa-Lobos' many works in that idiom).

Next up are two magnificent Stokowski transcriptions of famous Mussorgsky compositions, "A Night on Bare (Bald) Mountain" and "Pictures at an Exhibition." Of course both of these pieces have made it into the popular vernacular, the first through Stokowski himself in Disney's Fantasia, and the second in more pop-oriented recordings by such acts as Emerson, Lake and Palmer and the early synthesizer wizard Tomita. Here, though, we get the full flower of Stokowski's orchestration genius merged with the compositional brilliance of one of the most florid Russian composers, and it is a musical match made in heaven. It's interesting to really analyze how many brilliant modern orchestral techniques Stokowski brings to bear on "Bare Mountain" especially, something that routinely escapes a lot of listeners due to its having become such a standard piece of concert hall fare. Serebrier leads these young players through the sweeping strings and palpable percussion effects with flash and brilliance. "Pictures," though perhaps a bit on the less showy side, offers some fine solo moments for instruments not usually thrown into the spotlight, including the bassoon. Again, all of Serebrier's players do magnificent, and thrillingly lyrical, work in this piece which contains one of the best-known main themes in all of classical literature.

After several minutes of well-deserved applause, Serebrier returns for a great encore, Bizet's sparkling "L'Arlesienne Suite No. 2: Farandole" (is it just me or was Dvorak listening to this before he wrote "Legends"?). Serebrier brings the house down with a flourish at the punchy finale, once again leading to several minutes of sustained applause.

There's been an ongoing debate for years about the future of world-class orchestras, not only in the United States but around the world. If the efforts of these young people are any indication, we are in fine hands for at least one more generation. Any parent with children studying music would do well to at least rent this DVD to show it to their kids and let them know, "This could be you in a few years."

The DVD

Video:
This concert is presented with a great, enhanced 1.78:1 image, with excellent color, saturation and contrast. The Cathedral space is exceedingly narrow, leading to cramped quarters for the players plus the film crew, so you will spot various cameramen at times setting up their next shot. Also, again I assume due to the cramped quarters, the variety of angles is somewhat limited throughout the concert.

Sound:
The standard stereo soundtrack does brilliantly on this DVD, but a DD 5.1 would have been a nice option. Fidelity and separation are both top-notch, with absolutely no distortion even in full orchestral tutti moments.

Extras:
None are offered.

Final Thoughts:
Bravissimo to Maestro Serebrier for guiding a new generation of world-class players through a nicely diverse program of music both well-known and (most likely) new to most audiences. The National Youth Orchestra of Spain should be very proud of this DVD, and any classical music fan should enjoy it.

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"G-d made stars galore" & "Hey, what kind of a crappy fortune is this?" ZMK, modern prophet