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Yes - Yesspeak (35th Anniversary)

Other // Unrated // January 27, 2004
List Price: $22.98 [Buy now and save at Amazon]

Review by Matthew Millheiser | posted February 23, 2004 | E-mail the Author

The Program

(Note: This disc is a Region 0, NTSC formatted release.)

The quintessential progressive-rock band Yes was formed in 1968 by vocalist Jon Anderson and bassist Chris Squire, creating in essence a band that went on to fuse an endless array of artistic styles, quirky musicians, diverse influences from music, literature, art, and history, and quasi-mystical inspirations into a musical movement that has been a cornerstone in the classic-rock pantheon for several decades. Throughout their thirty-six year existence, the band has crafted an extensive list of popular radio tunes, including such stalwarts as Long Distance Runaround, I've Seen All Good People, Yours Is No Disgrace, Roundabout, and the 1983 Top 10 smash Owner Of A Lonely Heart. Yes also specialized in long form movements and suites that wandered through musical and lyrical landscapes that pushed the borders of rock music into different and more artistically challenging venues.

The various band members who have drifted in and out of Yes certainly constitute a veritable "Who's Who" of musical virtuosos. Aside from the nasal and feminine sounding Anderson on vocals and renowned bass legend Squire, the band has also accommodated the unique and talented stylings of Steve Howe (guitar), Rick Wakeman (keyboards), Bill Bruford (drums), Alan White (drums), Trevor Rabin (guitar), Trevor Horn (bass), and Geoff Downes (keyboards). But one of the most essential members of the band was Roger Dean, who was on almost every Yes album since 1972's Fragile, but never performed on a single track. Dean painted the band's album covers (as well as designed the band's stage show), using his extensive fantastical imagination to bring the spirit of Yes's music and lyrics to life in beautifully rendered detail.

I wouldn't consider myself to be a big Yes fan, but I have enjoyed much of their music from time to time. I remember buying their 1983 mega-platinum 90125 album, as I was intrigued by not only the omnipresent Owner of a Lonely Heart but many other of the tunes, such as Changes, Leave It, and It Can Happen. A friend and "cheesy garage band"-mate was a huge Steve Howe devotee, and introduced me to many of their earlier albums and hits, most of which I found to be somewhat interesting and enjoyable, but often pretentiously meandering. Unfortunately, I found the latter characteristic (and definitely not the former) to be true about Yesspeak, the 2003 three-hour (!) documentary celebrating the band's thirty-fifth anniversary of existence. Narrated by The Who's Roger Daltrey, the "classic" Yes lineup (Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman, and Alan White) is featured in a series of interviews and clips from their 2003 World Tour. While hardcore Yes fans will probably gain the most enjoyment out of the documentary, even they will have the limits of their patience tested. The documentary features a series of self-congratulatory and celebratory interviews that, while genial and good-natured, come across as dry and somewhat lifeless most of the time. I would have enjoyed to see more history, more in-depth looks into the creation of the band, their transformation over the years both in line-up and in musical presentation, their influences and responses to fame... in other words, I wanted a meal, not a snack.

I was ultimately left indifferent towards both the documentary and the band by the time the feature had finished. I f you are not a Yes fan already, Yesspeak will definitely not convert you into one of the faithful. If you are a Yes fan, most likely you will appreciate the documentary, but you will not find anything too substantial or meaty here.

The DVD

Video:

Yesspeak is presented in a 1.78:1 widescreen aspect ratio, and has been anamorphically enhanced for your widescreen-viewing giddiness. I enjoyed the overall quality of the video presentation, but several diverse elements were culled in the creation of the program, resulting in a video quality that varies from shot to shot. The newly taped footage came across the best with strong colors, reasonable image definition, deep contrasts, rich black levels, clearly delineated shadow detail, and a generally clean appearance. Other shots demonstrated noticeable (but not excessive) edge-enhancement, haloing, softness as well as over-sharpness. However, the positive qualities definitely outweighed the faults. While I would have appreciated a more consistent video quality across the line, I found the video presentation to be generally agreeable.

Audio:

The audio is presented in both Dolby Digital 5.1 and DTS 5.1, and both offer fine aural complements to the program. I found both tracks to be tonally similar, although there were definite volume fluctuations on the DTS track which resulted in a louder, more boisterous presentation. Dialog levels are the only inherent flaw to the presentation; the DTS dialog seems overpowered by the rest of the soundtrack. The music and orchestrations drown out Roger Daltrey's narration, almost to the point of incomprehension. The interview segments are much clearer and discernable, but this is due to the lack of music or score on the soundtrack during these instances. The Dolby Digital track demonstrated clearer and more stable dialog levels, but this was balanced by the softer, less aggressive nature of DD track.

Surround and LFE usage is put to the test constantly throughout the presentation. The front soundstage was spacious and balanced, while the rears are used effectively and aggressively to complement the front stage presentation without adding excessive discrete tangibility. Low-end effects were smart and appropriate, never sounding forced or artificial.

Subtitle tracks are included in French, German, Italian, and Spanish. Strangely enough, there are no English subtitles or captions to be found on this DVD!

Extras:

The only (but quite lengthy) extra is a Live Audio Set included on Disc Two. This set contains over two hours of Yes live, but not as a video performance. Instead, the live audio is performed as a number of still shots of the various members are presented onscreen. That's right: a rock-and-roll slideshow! How... invigorating? Intriguing? Ponderously boring? I'll leave the judgments to you, the faithful readers, but I think it would have benefited the fans to leave off the Live Audio Set and simply include a CD of the recording. Just a thought...

Final Thoughts

I have reviewed a lot of live performances and musical documentaries on DVD, but I have yet to come across one as plodding and full of wasted potential as Yesspeak. I do not dislike the band, and do in fact enjoy much of their music, but any interest I did have in Yes was almost dissipated in quanta by this over-indulgent, bloated, and generally forgettable documentary. Fans will definitely garner more value out of this set than anybody else, but even they will have a tough row to hoe slogging through Yesspeak. This one merits little more than a "Skip It", except for the Yes faithful and devoted, for whom I lightly and cautiously recommend the set... and even then, you still might want to rent first.

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