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        <title>DVD Talk DVD Reviews</title> 
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                                <title>Koryo Saram: The Unreliable People</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/61537</link>
                <pubDate>Wed, 28 Aug 2013 22:54:03 UTC</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/61537"><img src="//images.dvdtalk.com/covers/B00DMB8I5S.jpg" vspace="10" hspace="10" align="left" border="0"></a><div align="center"><table border="0" cellspacing="0" cellpadding="0" style="width: 745px"><tr><td align="justify"><div style="width: 745px"><div style="border: 2px solid rgb(0, 0, 0)"><div style="border: 2px solid rgb(196, 119, 65)"><div style="border: 2px solid rgb(0, 0, 0)"><div style="padding: 15px"><center><img src="http://www.dvdtalk.com/reviews/images/reviews/76/full/1377559655_1.jpg" border=2></center><font size=2><p>Y. David Chung and Matt Dibble's <i>Koryo Saram: The Unreliable People</i> (2007), like many documentaries, chooses to explore a dark chapter in history.  The year is 1937 and the place is eastern Russia, where Josef Stalin has initiated a massive ethnic cleansing to deport almost 200,000 Koreans to Central Asia, nearly 4,000 miles west.  Stalin determined that the Koreans as a whole were enemies of the state, even dubbing them "unreliable people" before packing them into cattle ca...<a href="https://www.dvdtalk.com/reviews/review/61537">Read the entire review</a></p>
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                                <title>Alex Cox's 3 Businessmen</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/61491</link>
                <pubDate>Wed, 21 Aug 2013 00:03:36 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/61491"><img src="//images.dvdtalk.com/covers/B00DMB8JNY.jpg" vspace="10" hspace="10" align="left" border="0"></a>Two businessmen meet in the gargantuan dining hall of an old-fashioned Liverpool hotel, where the rooms are not arranged in a particularly logical order. The first man is Benny Reyes (Miguel Sandoval), a loud-mouthed American who frequently puts on an ill-advised British accent and is prone to panic attacks. The second man is Frank King (Alex Cox), a local who tears articles out of newspapers one by one and is very polite, even when Benny is not. The two strike up a conversation before suddenly noticing the kitchen is deserted, prompting them to head out into the streets of the city, guidebook in hand, looking for food. Along the way, they talk politics, profession, and philosophy, all while becoming progressively lost -- more lost than could reasonably be expected.<p>Alex Cox's <em>3 Businessmen</em> is a challenging film to review. The movie is all about the mood that naturally springs out of such an...<a href="https://www.dvdtalk.com/reviews/review/61491">Read the entire review</a></p>
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                                <title>The Cardboard Bernini</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/61406</link>
                <pubDate>Wed, 07 Aug 2013 04:51:43 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/61406"><img src="//images.dvdtalk.com/covers/B00BI7Z78E.jpg" vspace="10" hspace="10" align="left" border="0"></a><div align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/279/full/1375746666_1.png" width="500" height="281"></div><p><b>The Movie:</b><p>What's the purpose of art? <p>Olympia Stone's casual 2012 documentary <i>The Cardboard Bernini</i> attempts to answer that loaded question. Mostly, however, the film serves as an easygoing portrait of one such artist, the affable James "Jimmy" Grashow, as he works on a monumental version of a Baroque Italian fountain, its imposing gods, horses and fish rendered entirely in glue and common cardboard.<p>Despite its lightweight appearance, <i>The Cardboard Bernini</i> grapples with a lot of questions that artists ask themselves. Things such as: how do we reconcile our creativity with making money? Is art any more meaningful if it has an audience of one, or 1,000, or millions? And: what can we leave that will last? Here, we follow Grashow as he spends ...<a href="https://www.dvdtalk.com/reviews/review/61406">Read the entire review</a></p>
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                                <title>N.A.S.A.: The Spirit of Apollo</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/61239</link>
                <pubDate>Tue, 25 Jun 2013 19:50:54 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/61239"><img src="//images.dvdtalk.com/covers/B00BNQ7AQC.jpg" vspace="10" hspace="10" align="left" border="0"></a>The brainchild of L.A. producers Squeak E. Clean (Sam Spiegel, brother of Spike Jonze) and DJ Zegon, N.A.S.A. is a hip-hop group with influences from all over the world. Their name stands for "North America South America," representing the roots of the two producers, and to celebrate the release of their first album, <em>The Spirit of Apollo</em>, they taped the sessions that helped give birth to said album and released it under the same title. This hour-long peek behind-the-scenes is short but sweet, offering a light-hearted, exciting, first-hand look into the collaborative process of making the record, as well as showing off snippets of the beautiful animated music videos created for each song.<p>Work on the album began in 2004, five years before the finished disc would arrive in stores. Spiegel clearly lays out the shifting, bubbling nature of creativity, with each specific track and its guest stars...<a href="https://www.dvdtalk.com/reviews/review/61239">Read the entire review</a></p>
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                                <title>Whisperer in Darkness (Blu-ray)</title>
                <category>Blu-ray</category>
                <link>https://www.dvdtalk.com/reviews/review/56490</link>
                <pubDate>Thu, 05 Jul 2012 19:37:27 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/56490"><img src="//images.dvdtalk.com/covers/B007W4MUUU.jpg" vspace="10" hspace="10" align="left" border="0"></a><div style="text-align: center;"><b style="">The Movie:<o:p></o:p></b><br></div><o:p> </o:p><br>After I finished watching the second feature created by theH.P. Lovecraft Historical Society, <i style="">TheWhisperer in Darkness,</i> (read my review of their first movie, TheCall ofCthulhu, <a href="http://www.dvdtalk.com/reviews/19599/call-of-cthulhu-the/" Title="The Call of Cthulhu">here</a>) I kept on thinking of another movie I had recently seen,<i style="">Clash of the Titans</i>.<span style="">  </span>Theyhad a few things in common:<span style="">  </span>they're bothbased on older stories, peopleworked long and hard the films, and they were each about a lone mantrying tostop untold death and destruction.<span style="">  </span>Thereare a couple of very significant things that sets these two moviesaparthowever.<span style="">  </span>While <i style="">Clash of theTitans </i>had a $125,000,000 ...<a href="https://www.dvdtalk.com/reviews/review/56490">Read the entire review</a></p>
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                                <title>Animated Films By Karen Aqua</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/55364</link>
                <pubDate>Fri, 29 Jun 2012 04:32:13 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/55364"><img src="//images.dvdtalk.com/covers/B0064DS9EG.jpg" vspace="10" hspace="10" align="left" border="0"></a><div align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/279/full/1340910774_1.jpg" width="531" height="300"></div><p><b>The Films</b><p>Microcinema's DVD <i>Animated Films of Karen Aqua</i> explores the work of a unique, passionate artist. Although Ms. Aqua had a bit of mainstream exposure when producing 22 segments for <i>Sesame Street</i> in the '90s, she was best known in animation circles as a generous educator and mentor whose bright personality carried over to the painstakingly drawn short films collected here. The thirteen short films on this disc show Aqua's evolution - and her love of nature, movement, color - in a program that spans from 1976 to 2011, the year she succumbed to cancer.<p>As if it wasn't totally obvious, Karen Aqua's films stray far from the usual cel-based, funny-gag animation formula into something more contemplative, organic, free-flowing and in tune with...<a href="https://www.dvdtalk.com/reviews/review/55364">Read the entire review</a></p>
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                                <title>Great Artists Series One: With Tim Marlow</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/53790</link>
                <pubDate>Tue, 20 Dec 2011 19:38:10 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/53790"><img src="//images.dvdtalk.com/covers/ts1316709539.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>The TV Series:</b><p>Since 2003, the BBC has run an enlightening and totally fascinating program called <i>The Private Life of a Masterpiece</i>.   Each 40-minute installment of that show uses a combination of talking head experts, impeccable research and deep photography to examine a single great work of art, say Da Vinci's <i>Mona Lisa</i> or Rodin's sculpture <i>The Thinker</i>. The programs delve into the artists' lives and how their particular masterpiece reflects on their other work and that of their contemporaries. That aspect in itself is pretty wonderfully done, even if some of the info presented isn't especially surprising (Whistler's mother was a sanctimonious old biddy? You don't say!). The show really excels, however, when it gets into the story of what happened with these masterpieces after their creators passed on. Detailing the way these pieces wind up being coveted, stolen, vandaliz...<a href="https://www.dvdtalk.com/reviews/review/53790">Read the entire review</a></p>
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                                <title>Sleep Furiously</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/53683</link>
                <pubDate>Fri, 16 Dec 2011 12:43:28 UTC</pubDate>
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/53683"><img src="//images.dvdtalk.com/covers/ts1318439015.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>The concept of the "small town" is known to all, whether you've lived your whole life in a noisy concrete jungle or a product of that small community, where much like the famous theme sang, "everybody knows your name."  For those of the former area, while the concept may be firmly recognized, truly visualizing what it's like could be impossibility.  Enter Gideon Koppel's ode to the small town, the nearly silent documentary "Sleep Furiously."<br><p>"Sleep Furiously" is a film that demands the viewer lose themselves for 90-minutes in an experience that magnificently captures the relaxing (urbanite translation: slow) pace of these slow towns, in this case a few little towns quietly plopped down on the landscape of Wales.  Koppel is the ultimate objective observer, fixing his camera on everyday life, both active and inactive, waiting nearly 20 minutes before any dialogue of relevan...<a href="https://www.dvdtalk.com/reviews/review/53683">Read the entire review</a></p>
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                                <title>Alex Cox's Highway Patrolman</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/53567</link>
                <pubDate>Tue, 06 Dec 2011 21:37:22 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/53567"><img src="//images.dvdtalk.com/covers/ts1323383011.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>The Product: </b><br>When the one two career-ending punch of <b>Straight to Hell</b> and <b>Walker</b> landed at director Alex Cox's door, he was effectively blacklisted from Hollywood. No matter the mainstream success of his debut, <b>Repo Man</b>, or the cult classicism of his take on the seminal Sex Pistol's bassist, <b>Sid and Nancy</b>, he was a man without a studio or a support group to offer an outlet. Having befriended some in the Mexican film industry, he was eventually hired to helm an unusual police drama. Entitled <b>El Patrullero</b> (translated, <b>Highway Patrolman</b>), it was virtually unseen in America. Now, some two decades later, DVD has brought about a resurgence in Cox's canon. Among the mini-masterworks audiences have finally experienced are <b>Searchers 2.0</b> and a visionary recut of <b>Hell</b>. Now, with this lost gem, it's clear that this was one filmmaker whose ambition...<a href="https://www.dvdtalk.com/reviews/review/53567">Read the entire review</a></p>
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                                <title>Gay Games</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/53355</link>
                <pubDate>Mon, 21 Nov 2011 14:48:10 UTC</pubDate>
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/53355"><img src="//images.dvdtalk.com/covers/ts1316709465.jpg" vspace="10" hspace="10" align="left" border="0"></a><b><u>THE FILM:</u></b><br><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1321826806_1.png" width="400" height="225"></center></p><p>I might not have had any interest in reviewing <i>Gay Games</i>, Françoise Romand's 30-minute documentary, had I not recently been intrigued by her frank, frisky, intelligent, and self-deprecating long-form video diary, <i><a href="http://www.dvdtalk.com/reviews/53160/camera-i/">The Camera I</a></i>. But what seemed like relatively minor flaws in that work--a penchant for silliness, unfunny whimsy, and scatterbrained eccentricity that seemed to find itself a bit too charming--dominate here, and the results, while not exactly disastrous (this piece is so casual and low-key that not much seems to be on the line), are distinctly embarrassing on several levels.</p><p>Romand is allegedly documenting the 2010 Gay Games--an Olympics-style event, held eve...<a href="https://www.dvdtalk.com/reviews/review/53355">Read the entire review</a></p>
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                                <title>Camera I</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/53160</link>
                <pubDate>Tue, 08 Nov 2011 02:30:56 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/53160"><img src="//images.dvdtalk.com/covers/ts1316709446.jpg" vspace="10" hspace="10" align="left" border="0"></a><b><u>THE FILM:</u></b><br><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1320633916_2.png" width="400" height="300"></center></p><p>French experimental/documentary filmmaker Françoise Romand (probably best known for her 1986 film <i>Mix-Up</i>) is a candid video diarist, but don't expect any voyeuristic thrills or reality-TV exhibitionism from <i>The Camera I</i> (<i>Thème Je</i>), a compendium of videotaped segments spanning Romand's life from 1999 to 2010. Despite its utterly nonchalant sexual explicitness, confessional readiness, and overall playfulness, it's a cerebral work that comments as much on its own making as it does on its maker/subject, with almost constant attention drawn to the fact that the camera is a significant presence and defining factor in this woman's life.</p><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1320633916_1.png" width...<a href="https://www.dvdtalk.com/reviews/review/53160">Read the entire review</a></p>
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                                <title>A New Look: Samuel F. B. Morse's Gallery of the Louvre</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/52547</link>
                <pubDate>Sun, 25 Sep 2011 23:41:25 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/52547"><img src="//images.dvdtalk.com/covers/ts1314730319.jpg" vspace="10" hspace="10" align="left" border="0"></a><b><u>THE FILM:</u></b><br><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1316983174_1.png" width="400" height="225"></center></p><p>A compact but remarkably in-depth and far-reaching art history lesson, the short video <i>A New Look: Samuel F.B. Morse's </i>Gallery of the Louvre<i></i>, created as a commemorative/educational piece by the Terra Foundation for American Art, manages to do several things surprisingly well given its tiny 30-minute running time. It is principally a document recording and celebrating the restoration of an interesting and important work of art, but it also spans outward to touch intriguingly and informatively on American cultural history, technological development, international communication, and cultural exchange.</p><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1316983174_2.png" width="400" height="225"></center></p><p>Samue...<a href="https://www.dvdtalk.com/reviews/review/52547">Read the entire review</a></p>
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                                <title>Seducing Time By Lynn Hershman Leeson</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/50119</link>
                <pubDate>Mon, 11 Jul 2011 15:51:12 UTC</pubDate>
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/50119"><img src="//images.dvdtalk.com/covers/B004M8M6WQ.jpg" vspace="10" hspace="10" align="left" border="0"></a><b><u>THE VIDEOS:</u></b><br><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1310328384_1.png" width="400" height="300"></center></p><p>Watching the five video artworks collected on <i>Seducing Time: Award-Winning Videos by Lynn Hershman Leeson</i>, it is difficult not to free-associate to the tittering David Thewlis character, introduced as "a video artist," from <i><a href="http://www.dvdtalk.com/reviews/34577/big-lebowski-10th-anniversary-limited-edition-bowling-ball-packaging-the/">The Big Lebowski</a></i>. But more relevantly, Leeson's work brings to mind the very sincere, very passionate, and not entirely untalented video artist played to gently satirical comic perfection by Ileana Douglas in Terry Zwigoff's <i><a href="http://www.dvdtalk.com/reviews/3287/ghost-world/">Ghost World</a></i>, whose work seems to exist in some art-world vacuum. The bulk of the videos compiled o...<a href="https://www.dvdtalk.com/reviews/review/50119">Read the entire review</a></p>
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                                <title>About Jenny Holzer</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/50909</link>
                <pubDate>Tue, 05 Jul 2011 01:14:19 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/50909"><img src="//images.dvdtalk.com/covers/ts1309828434.jpg" vspace="10" hspace="10" align="left" border="0"></a><b><u>THE FILM:</u></b><br><p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/277/1309761309_1.png" width="400" height="225"></center></p><p>I have always been fairly ignorant about any sort of art-world who's-who there might be, so Claudia Müller's documentary <i>About Jenny Holzer</i> was my introduction to a fascinating artist who, along with the more celebrated photographer Cindy Sherman and collage-maker Barbara Kruger (who are famous enough that even I have heard of them) was part of a wave of American female/feminist (whichever you prefer) artists who took over the gallery-and-museum scene in the late 1970s and early 1980s. "Holzer's medium," the DVD copy informs us, "is language," and that is essentially true; but what she actually does is hone her written texts to have the sound and feel of clichés, maxims, soundbytes, or slogans, and then runs them in public spaces that usua...<a href="https://www.dvdtalk.com/reviews/review/50909">Read the entire review</a></p>
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                                <title>Perpetual Peace</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/49693</link>
                <pubDate>Wed, 04 May 2011 19:17:38 UTC</pubDate>
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/49693"><img src="//images.dvdtalk.com/covers/ts1304536619.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>Perpetual Peace:</b><br>It is important that I get a few things straight with you right now. (Does this seem like a peaceful approach, or an aggressive approach?) But first, I'd like to ask you what exactly is it do you think peace is? OK, glad to have that out of the way. So, again, for my deal. I am more or less a pacifist. I don't think much comes from fighting other than the desire to continue fighting, or to completely vanquish the enemy, i.e. to kill the enemy. I do, however, acknowledge some realities of the human animal, and realities that have been fostered over millennia of civilization. To wit: anger is the easy path. If you can follow my train of thought, you might understand what <i>Perpetual Peace</i> is all about.  <p>What one can't argue is that this is an extremely stylish release, starting with its digipak presentation - that of a plastic tray in which to house the DVD proper, glue...<a href="https://www.dvdtalk.com/reviews/review/49693">Read the entire review</a></p>
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                                <title>Merce Cunningham Dance Company: Robert Rauschenberg Collaborations: Suite for Five, Summerspace, Interscape</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/49572</link>
                <pubDate>Fri, 29 Apr 2011 11:00:45 UTC</pubDate>
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/49572"><img src="//images.dvdtalk.com/covers/B004JR3OR6.jpg" vspace="10" hspace="10" align="left" border="0"></a><html><head><meta content="text/html; charset=ISO-8859-1"http-equiv="content-type"><title></title></head><body><h1><spanstyle="font-size: 10pt; font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-weight: normal;">Includedon this release (aptly entitledthe <i style="">Merce Cunningham Dance Company:Robert Rauschenberg Collaborations</i>) are three separate films (<istyle="">Suite For Five</i>, <i style="">Summerspace</i>, and <istyle="">Interscape</i>).<span style="">&amp;nbsp;</span>Merce Cunningham is an accomplished andfamous dance company with a long and prosperous history. This releaserepresents the combined efforts of filmmaker Charles Atlas and designerRobertRauschenberg, who collaborated on each of these three uniqueaudio-visual danceprojects. The composer John Cage contributed scores for <i style="">SuiteFor Five</i> and <i style="">Interscape</i>.Fans of dance on film...<a href="https://www.dvdtalk.com/reviews/review/49572">Read the entire review</a></p>
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                                <title>Ghost Bird</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/46777</link>
                <pubDate>Tue, 01 Mar 2011 12:50:36 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/46777"><img src="//images.dvdtalk.com/covers/B0047HXMXE.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>The mention of the Ivory-billed woodpecker will likely draw looks of apathy or shrugs of shoulders from the average person, but to the people of Brinkley, Arkansas the Ivory-billed woodpecker is a symbol of hope, that for once their small town of not quite 4000 will mean something to the world just by the very existence of the bird.  Scott Crocker's documentary "Ghost Bird" examines the re-discovery of the Ivory-billed woodpecker by residents in the Brinkley area around 2004, and illustrates how much the possible re-emergence of the bird means not only to the scientific community but a small microcosm of the world at large.  Once thought to have been extinct for more than 50 years, the very claim that someone has possibly seen the bird sparks a series of events that question the veracity of the claim, but more importantly remind everyone the precious ecosystem that we are a par...<a href="https://www.dvdtalk.com/reviews/review/46777">Read the entire review</a></p>
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                                <title>Todd P. Goes to Austin</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/44914</link>
                <pubDate>Tue, 01 Mar 2011 00:25:54 UTC</pubDate>
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                <![CDATA[
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/44914"><img src="//images.dvdtalk.com/covers/B003WWDSYS.jpg" vspace="10" hspace="10" align="left" border="0"></a>Even the most infrequent concert-goer knows the mix of curiosity, anticipation, and mild dread that comes with tracking down a new, back-door, back-alley, backwater venue, and in a sense, <i>Todd P. Goes to Austin</i> is a documentary about that feeling. Director Jason Buim follows Todd Patrick, or Todd P., as he prepares for a series of free concerts to run simultaneously with the SXSW film festival. Although the shows Todd plans are meant to be outdoor, rather than inside one of those dingy venues, the film still captures that same blend of feelings from the musician's side of things, showcasing their journey in a battered, half-dead van, ostensibly towards Austin but really into the great unknown.<p>Too many modern documentaries are more about a scene or a topic rather than an actual person, but Todd is a solid anchor for the scene being covered, and a good interview subject. He clearly and decisive...<a href="https://www.dvdtalk.com/reviews/review/44914">Read the entire review</a></p>
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                                <title>Guest of Cindy Sherman</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/46773</link>
                <pubDate>Tue, 15 Feb 2011 02:22:08 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/46773"><img src="//images.dvdtalk.com/covers/B0047HXN6A.jpg" vspace="10" hspace="10" align="left" border="0"></a><p><b>THE MOVIE:</b><br> <p><p align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/177/1297676803_1.png" width="400" height="225"> <p>What happens when a starfucker gets dumped by the star he's glommed onto? He makes a movie, of course, and screws that star some more. <p><i>Guest of Cindy Sherman</i> is a documentary that has a split-personality, but that ultimately engenders a very specific reaction. On one side, it's a legitimate story of an art fan and amateur journalist who finds love with a major artist; on the other side, it's self-aggrandizement at its worst. Paul H-O is a video addict. In the early 1990s, he started his own cable access show in New York. "Gallery Beat" lasted nearly a decade, with Paul and his comrades interviewing artists and filming gallery openings and art happenings. It's here that Paul developed his addiction, his need to constantly be in front of the ca...<a href="https://www.dvdtalk.com/reviews/review/46773">Read the entire review</a></p>
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                                <title>Straight to Hell Returns</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/46591</link>
                <pubDate>Fri, 10 Dec 2010 12:24:05 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/46591"><img src="//images.dvdtalk.com/covers/B0047HXN7E.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>Alex Cox's "Straight to Hell Returns" is a slightly tweaked re-release of his 1987 cult-classic, punk rock, Spaghetti Western comedy, "Straight to Hell."  Cox, never a director to shy away from a challenge, co-wrote the script with Dick Rude, who also steps into the role of Willy, one of a trio of ne'er-do-wells that also include Simms (played by Joe Strummer) and Norwood, whose shoes are filled by Sy Richardson, a tremendously underappreciated actor who should be getting a cut of royalty checks from Samuel L. Jackson, whose cool, no-nonsense routine is very reminiscent of Richardson's style, especially in this film.  Also along for the ride is Courtney Love as Norwood's pregnant girlfriend, Velma.  Following an unseen bank robbery, our heroes quickly find themselves seeking refuge from the their criminal boss, Mr. Dade (Jim Jarmusch) in a dirty town straight out of any cheaply...<a href="https://www.dvdtalk.com/reviews/review/46591">Read the entire review</a></p>
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                                <title>Teknolust</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/46960</link>
                <pubDate>Thu, 02 Dec 2010 23:24:57 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/46960"><img src="//images.dvdtalk.com/covers/B0040BJH1S.jpg" vspace="10" hspace="10" align="left" border="0"></a>At the very least, <I>Teknolust</I>, by artist Lynn Hershman-Leeson, is an ambitious, wildly original movie. Unfortunately, it's also a broad, shot-in-the-dark mishmash of political and sexual themes that never gel into anything that's plainly entertaining, or even a consistent curiosity. There's either too much going on, or not enough to latch onto, and the viewer is left to swim through Leeson's stew of ideas and concepts on their own.<p>Tilda Swinton plays a quadruple role as a scientist named Rosetta Stone and her three cloned test subjects, Ruby, Olive, and Marine. Apparently, the three clones are partially robotic, although which parts and why are not well-defined, as are Rosetta Stone's goals for the clone-bots, which require sperm to survive. That's right, every week, Ruby goes out and locates an average schmoe specimen at a club or bar, extracts a sample, through the usual means, snaps a photo...<a href="https://www.dvdtalk.com/reviews/review/46960">Read the entire review</a></p>
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                                <title>Searchers 2.0</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/45979</link>
                <pubDate>Wed, 20 Oct 2010 12:29:02 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/45979"><img src="//images.dvdtalk.com/covers/B0040BJH22.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>The Product: </b><br>From 1978 to 1987, there was no hotter director than Alex Cox. Coming off the oddball punk cult classic <b>Repo Man</b> and the undeniably brilliant (if factually suspect) <b>Sid and Nancy</b> biopic, the British filmmaker was poised to become a major player in the growing realm of unique cinematic voices. Even his rock and roll spaghetti western <b>Straight to Hell</b> couldn't completely cool his heat. No, it took 1987's <b>Walker</b> to ruin his Hollywood cred, sending him into a state of industry exile from which he really never has returned. It would be five years before he directed again, and then it was for foreign investors and almost no distribution. The last straw seemed to come when he was fired from the adaptation of <b>Fear and Loathing in Las Vegas</b> (later helmed by Terry Gilliam). As a result, Cox has had to struggle to survive creatively, seeking his filmic fo...<a href="https://www.dvdtalk.com/reviews/review/45979">Read the entire review</a></p>
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                                <title>Primal Grill 3</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/44908</link>
                <pubDate>Tue, 05 Oct 2010 02:28:57 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/44908"><img src="//images.dvdtalk.com/covers/B003WV5C2A.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>The Movie:</b><br><p>With each passing season, Steven Reichlen's <I>Primal Grill</I> series (which airs on Public Television) becomes a show that would appear to have some viability in area of cooking shows on mainstream television. It seemed a little stilted in its <a href="http://www.dvdtalk.com/reviews/37878/primal-grill/">first season</a> and improved on it incrementally in <a href="http://www.dvdtalk.com/reviews/42237/primal-grill-with-steven-raichlen-volume-two/">its second</a>. Yet it manages to take a third step to the better in the third.</p><div align="center"><img src="http://www.dvdtalk.com/reviews/images/reviews/251/1286240116_1.jpg" width="400" height="266"></div><p>The most conscious step appears to be in how Reichlen shows how encompassing an installment is and the production staff that's required to get a show working. During one of the episodes Reichlen mentions how much the staff ...<a href="https://www.dvdtalk.com/reviews/review/44908">Read the entire review</a></p>
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                                <title>Conceiving Ada</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/44909</link>
                <pubDate>Sat, 02 Oct 2010 20:01:08 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/44909"><img src="//images.dvdtalk.com/covers/B003WV5C6Q.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>The Product: </b><br>A couple of decades ago, when CG and digital animation was new and novel, there was a lot of speculation that the technology would put a lot of movie artisans out of work. Of course, the initial concern was for those who made their living in special effects, the men and women who created monsters and myths out of latex and the proper application of cinematic sleight of hand. But as the possibilities grew, and the potential widened, those who functioned as location scouts, art and set designers, and other onstage craftsman were also threatened, the idea being that a better, more detailed backdrop could be created in the computer. Oddly, outside of George Lucas and James Cameron, few have tried to make such a suggestion a reality. One unusual example is <b>Conceiving Ada</b>, a 1997 effort featuring Tilda Swinton as Ada Augusta Byron King, Countess of Lovelace and "inventor" of th...<a href="https://www.dvdtalk.com/reviews/review/44909">Read the entire review</a></p>
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                                <title>Project 798: New Art in New China</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/45731</link>
                <pubDate>Thu, 09 Sep 2010 20:22:53 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/45731"><img src="//images.dvdtalk.com/covers/B003QR2SOU.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>Project 798 - New Art in New China:</b><br>It's an Art documentary as inadvertent globalization treatise. Exposing new art in New China somehow reinforces the notion that there's nothing new under the sun after all. With a narrow focus - the artists renting space in Beijing's Project 798 - interspersed with everyday shots of Chinese culture, this hour-long documentary highlights what may have been an unexpected insight; that artists are pretty much the same the world over. And for a peek into a world that many Westerners consider the most mysterious of all, it becomes clear that we're all way more similar than we'd like to think. As an introduction to contemporary Chinese artists, it's a fine look, but for those hoping to widen their artistic vistas, well, you've kind of seen this stuff already. <p>During the mid-1990s, Beijing's Central Academy of Fine Arts set up a workshop space in a defunct fact...<a href="https://www.dvdtalk.com/reviews/review/45731">Read the entire review</a></p>
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                                <title>Speaking in Code</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/45195</link>
                <pubDate>Tue, 10 Aug 2010 17:02:49 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/45195"><img src="//images.dvdtalk.com/covers/B003QR2SQS.jpg" vspace="10" hspace="10" align="left" border="0"></a>First-time filmmaker Amy Grill's 2009 documentary <I>Speaking in Code</I> is a character-driven vérité  exploration of the techno music subculture; conceived, created, and self-financed with her then husband David Day, a struggling techno promoter and DJ in Boston. Grill spent two years following a loose cadre of DJs, producers, and promoters attempting to balance their obsession for music with the demands of their personal lives. <p><center><img src="http://www.dvdtalk.com/reviews/images/reviews/249/1281347248_2.jpg" width="400" height="231"></center><p><I>Speaking in Code</I> isn't intended to be a history of techno, but Grill does provide just enough background for the outsider to contextualize the character-driven stories she's interested in: a fusion of European electronica and African-American dance music, techno emerged in Detroit and Chicago in the late '80s.  Ironically, techno failed to tak...<a href="https://www.dvdtalk.com/reviews/review/45195">Read the entire review</a></p>
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                                <title>The Jeff Koons Show</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/44471</link>
                <pubDate>Mon, 09 Aug 2010 19:37:19 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/44471"><img src="//images.dvdtalk.com/covers/B003SWFLOW.jpg" vspace="10" hspace="10" align="left" border="0"></a><center><img src="http://www.dvdtalk.com/reviews/images/reviews/265/full/1281379984_1.jpg" width="600" height="491"></center><p>Alison Chernick's one-hour documentary about Jeff Koons strikes a generally admiring tone in tracking the career of the accomplished and hugely famous visual artist.  The film hits the highlights of his varied and ever-evolving portfolio of projects, from his earliest show, "The New," which featured spotless household appliances carefully displayed in pristine glass vitrines, and his world-famous oversized "Puppy," made of live flowers, and right up to his more recent "inflatables" of "Celebration" - cast-steel balloon animals and toys.  All of Koons' art enshrines elements of American pop culture in forms that are inert, gargantuan, and "perfect."  Koons uses enormously expensive methods of fabrication for his complex pieces, processes that are made even more expensive by his...<a href="https://www.dvdtalk.com/reviews/review/44471">Read the entire review</a></p>
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                                <title>Devil Come to Hell and Stay Where You Belong</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/44765</link>
                <pubDate>Tue, 20 Jul 2010 12:16:57 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/44765"><img src="//images.dvdtalk.com/covers/B002WW9ER4.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>Devil Come To Hell And Stay Where You Belong:</b><br>The tortured syntax of that title should let you know you're in Arthouse territory with this film from Massimilian and Nina Breeder, a married Italian couple filming their cross-country trip through the USA. This is a truly aggressive arthouse film, one that challenges viewers at every turn. In fact the movie is so challenging and ambiguous it's often unclear as to whether it's just a big put-on. If it weren't frequently so rapturously gorgeous it would be more trouble than it's worth.<p>Quite the exemplar of experimental narrative, <i>Devil</i> barely has a plot; the couple decides to hit the road across the good old U. S. of A. The DVD box tells us they're heading to California, though I can't quite recall. For mysterious and shocking reasons, their course ultimately changes. Meanwhile, they drive a lot, have sex every now and again, wander arou...<a href="https://www.dvdtalk.com/reviews/review/44765">Read the entire review</a></p>
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                                <title>Alex Katz: Five Hours</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/43884</link>
                <pubDate>Tue, 25 May 2010 12:11:59 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/43884"><img src="//images.dvdtalk.com/covers/B002WSYM0W.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>"Alex Katz: Five Hours" is an enlightening and frustrating glimpse at the creation of a work of art.  Filmed by Vincent Katz and his wife Vivien Bittencourt, the film is a 20-minute look at Vincent's father, Alex creating a painting.  Prior to this documentary I had never heard of Alex Katz and the paintings of his I looked up, weren't really my bag.  "Alex Katz: Five Hours" doesn't change my opinion of Katz as an artist, but it did make me think long and hard about the creative process.<br><p>In all honesty, reviewing this disc is no easy feat.  It contains only the documentary, which boils down five hours of Katz painting a portrait of his wife into 20 brief minutes.  There is no narration and our only access to the aural world of Katz is through the snippets of raw sound.  The majority of the film is backed by Meredith Monk songs, which, quite honestly, grated on the nerves....<a href="https://www.dvdtalk.com/reviews/review/43884">Read the entire review</a></p>
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                                <title>In Search of Beethoven</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/41811</link>
                <pubDate>Tue, 18 May 2010 12:16:37 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/41811"><img src="//images.dvdtalk.com/covers/B00355A4M6.jpg" vspace="10" hspace="10" align="left" border="0"></a><center>	<img src="http://www.dvdtalk.com/reviews/images/reviews/265/1274154001_1.jpg" width="400" height="154"></center>  <p>Sometimes when handling the legacy of a genius like Beethoven, it's best to let the man speak for himself.  Filmmaker Phil Grabsky implicitly understands the power of the subject's own words - and, in the case of Beethoven, his music, too.  <b>In Search of Beethoven</b> is an incisive, inquisitive documentary that compiles wide-ranging source material to form an unusually propulsive narrative life of this most towering of cultural icons.</font> <br></p><p>Grabsky culls insightful commentary from a few dozen interview subjects (including Emmanuel Ax, Hélène Grimaud, Riccardo Chailly, and Sir Roger Norrington) and combines it with narration by Juliet Stevenson and readings from Beethoven's letters.  In addition, we are treated to excerpts from newly-shot live performances of Bee...<a href="https://www.dvdtalk.com/reviews/review/41811">Read the entire review</a></p>
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                                <title>The World of Buckminster Fuller</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/43555</link>
                <pubDate>Tue, 04 May 2010 01:05:52 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Rent It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/43555"><img src="//images.dvdtalk.com/covers/B001UUBR9C.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>THE PROGRAM</b><br><p>To say "The World of Buckminster Fuller" was a crushing disappointment is a vast understatement.  I first heard of the man, during my undergraduate studies in chemistry.  In the field, a C<sub>60</sub> molecule is called a Buckminsterfullerene (or informally, Buckyballs), due to it's striking appearance to the geodesic domes created by Fuller.  His name stuck in the back of my mind for years, and one a handful of occasions, I looked up information about him online, never fully learning much about the man.  What I did find, was Fuller was an absolute genius, decades ahead of his time (and still ahead of our own) in the field of design.  He sought not only to revolutionize how we live, but also how we view our own existence.  The one constant that did pop up, whenever I decided to read up on Fuller, was the existence of a 1971 documentary, "The World of Buckminster Fuller."  Clip...<a href="https://www.dvdtalk.com/reviews/review/43555">Read the entire review</a></p>
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                                <title>Michelangelo: Self Portrait</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/41812</link>
                <pubDate>Fri, 23 Apr 2010 20:18:36 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/41812"><img src="//images.dvdtalk.com/covers/B00355A4MG.jpg" vspace="10" hspace="10" align="left" border="0"></a><center>	<img src="http://www.dvdtalk.com/reviews/images/reviews/265/1272051207_1.jpg" width="400" height="306"></center><p>Like the best documentaries, Robert Snyder's <b>Michelangelo: Self-Portrait</b> is simultaneously entertaining, enriching, and inspiring.  Simple in concept, but complex in its editorial approach, Snyder's film is narrated through the artist's own words, taken from diaries, letters, and early biographers, and accompanied by images of his work.  The result is a stirring and unique film biography, one that is devoid of narrative cheats and artifice.</font> <br></p><p>We begin with Michelangelo's voice in a letter to the great biographer Giorgio Vasari; the artist complains of his various ailments and describes a new pietà he has begun (the Rondanini Pietà).  From here, the narration consists of more or less chronological biographical information in "flashback" form, as Michelangel...<a href="https://www.dvdtalk.com/reviews/review/41812">Read the entire review</a></p>
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                                <title>Possible Films, Volume 2: New Short Films by Hal Hartley</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/41813</link>
                <pubDate>Tue, 13 Apr 2010 12:14:25 UTC</pubDate>
                <description>
                <![CDATA[
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               <b class="first">Skip It</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/41813"><img src="//images.dvdtalk.com/covers/B00355A4LW.jpg" vspace="10" hspace="10" align="left" border="0"></a><p>Hal Hartley was, in a fairly quiet way, one of the defining filmmakers of the 1990s.  His spare, mannered, witty style presaged the work of Wes Anderson and Noah Baumbach, and his influence is even visible, to an extent, in Quentin Tarantino's films.  The verbose, often opaque dialogue of his strange, still, oddly focused characters suggested the particular angst of that decade - a moody inward paranoia about the location of the border that divides sincerity from irony.  Two of his best films - <b>Simple Men</b> (1992) and </font><a href="http://www.dvdtalk.com/reviews/8550/henry-fool/" target="_blank"><font color="#0000FF" ><b><u>Henry Fool</u></b></font></a>(1997, and a Cannes winner for Best Screenplay) - deal with this theme in diverse and extremely funny ways.  <b>Henry Fool </b>can be read as one of the central cinematic statements of the 1990s, a film that delves deep into the tenor of the er...<a href="https://www.dvdtalk.com/reviews/review/41813">Read the entire review</a></p>
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                                <title>Hal Hartley's Surviving Desire</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/41818</link>
                <pubDate>Fri, 09 Apr 2010 21:07:27 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/41818"><img src="//images.dvdtalk.com/covers/B00355A4LM.jpg" vspace="10" hspace="10" align="left" border="0"></a><P><B><U><BIG>THE FILM</B></U></BIG><P><i>"Listen pal, you can't waltz in here, use my toaster, and start spouting universal truths without qualification!"</i><P>In the early 1990s, I happened upon Hal Hartley's "Trust" on the shelf of my local video store. An impulse rental due to a fraudulent synopsis provided by the box-art design folks at Republic Pictures, finding "Trust" was pure serendipity, nudging me to investigate the curious, colorful world of independent film, back when the label meant bed sheet exhibition and a few bloodstains on the print. It brought about the Hal Hartley phase of my movie appreciation quest, which was stoked further by the offbeat short film, "Surviving Desire." <P>An American Playhouse production, "Surviving Desire" furthered Hartley's fascination with the cold mechanics of love, dreaming up a relationship between a caustic, questioning college professor named Jude (Mar...<a href="https://www.dvdtalk.com/reviews/review/41818">Read the entire review</a></p>
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                                <title>Kiki Smith Squatting the Palace: An Installation by Kiki Smith in Venice</title>
                <category>DVD Video</category>
                <link>https://www.dvdtalk.com/reviews/review/40308</link>
                <pubDate>Wed, 10 Mar 2010 12:37:10 UTC</pubDate>
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               <b class="first">Highly Recommended</b>
               <p><a href="https://www.dvdtalk.com/reviews/review/40308"><img src="//images.dvdtalk.com/covers/B002TN269E.jpg" vspace="10" hspace="10" align="left" border="0"></a><b>Kiki Smith: Squatting the Palace:</b><br>I've gotten a lot of weird ideas about art, working, and art appreciation from this 45-minute look into artist Kiki Smith's process, and I'm sure Smith would like that. Here Microcinema continues its serious yet eminently approachable series of examinations of renowned contemporary artists. As an artist myself, I think I can safely say that you norms out there think we are weird, because we are. And many will be put off by Smith's eccentricities (both in personality and methodology) as displayed in this documentary, yet the tale directors Vivien Bittencourt and Vincent Katz construct from interview/ action segments filmed as Smith prepares for the 2005 Venice Biennale ultimately paints a glowing, complex portrait of the artist.<p>The filmmakers aren't present; their camera is an observer eliciting compelling ruminations from Smith and others, notably studio a...<a href="https://www.dvdtalk.com/reviews/review/40308">Read the entire review</a></p>
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