The Movie:
Did you ever wonder where babies come from as a kid? Maybe your parents told you that you were delivered by a stork, or grew in a cabbage patch. Well, director Craig Goodwill decided to explore a world in which those stories are true, but also much darker than you imagined. The result is the very odd, Gilliam-esque semi-musical Patch Town

Rob Ramsay plays Jon, a dissatisfied worker at Patch Enterprises, a huge, secretive toy manufacturer. Jon's job is to pull newly formed babies from their incubating cabbages, rinse them off, and send them off onto a conveyor belt where they can be converted to dolls. He and his wife Mary (Stephanie Pitsiladis) have wanted a child for years, and at great personal risk, Jon is able to smuggle one out of the factory to raise as their own. Others aren't so lucky. If they get caught, they are sent for reeducation.

Witnessing a couple being...Read the entire review

The Movie:
Hard Boiled Detective is one of my favorite film genres, and fictional sleuths don't get boiled much harder than Mike Hammer. 1963's The Lady Hunters is perhaps not the best of the Mike Hammer adaptations, but it has the single distinction of featuring the character's creator, Mickey Spillane, playing the man himself.

This is based on one of the later Hammer books. Mike has been on a multi-year bender, distraught over the disappearance and presumed death of his secretary and partner Velda. He's dragged into a hospital by former friend and police captain Pat Chambers (Scott Peters). There's a dying man who has vital information who says he'll only talk to Hammer. The dying man tells Mike that Velda is still alive, and is being hunted by trained assassin The Dragon. This revelation brings Mike out of his funk, and he sobers up and gets back on the job determined to find Ve...Read the entire review

The Show:
There really is no simpler pleasure than a fun, good natured detective show. And a big reason that Castle, starring Stana Katic as hard charging detective Kate Beckett, and Nathan Fillion as fun loving mystery writer Richard Castle, has lasted for seven seasons is because it is so willing to have fun. And it doesn't hurt that its stars are incredibly personable and welcoming.

Each season of Castle has an overarching master story that ties it together. In the past, it has been the search for the mysterious murderer of Beckett's mother. For season seven, it's the mysterious kidnapping and prolonged disappearance of Castle himself, on the very day of his wedding to Beckett. That mystery gets resolved (mostly) in episode 20, but it reverberates all throughout the season in its consequences, and juicy hints to what might have happened abound.

All of the familiar characters a...Read the entire review

The Movie:
As if sparkly vampires weren't enough, the producers of Bloody Indulgent decided that the viewing public also need singing vampires. So, now we have a vampire musical, and it is largely what you would expect it to be, though to give credit where it's due, there's plenty of blood and gore, and it is well done.

Burt (Kevin Scott Richardson) is a flamboyant vampire, who can't quite keep his urges in control. His friend Todd (Brandon Heitkamp) explicitly says that he doesn't want to get turned, but Burt chases him down an alley anyway, bites, sucks, etc. and turns Todd anyway. Todd's girlfriend Connie (Diva Zappa) takes exception to this, and tries to incite the crowd at the strip club she works at to kill Burt. Anti-vampire prejudice is strong, and the crow complies, or tries to. Burt ends up killing most of them, and turning Connie, who finds that she prefers "life"...Read the entire review

The Movie:
"They don't make them like they used to." It's a common refrain, and perhaps it is relevant to Nico Mastorakis' 1976 exploitation masterpiece Island of Death, except it's fairer to say that no one ever made them like this, and that's not necessarily a bad thing.

After seeing The Texas Chainsaw Massacre with a friend and hearing how much money it made, Mastorakis decided that he would make a movie for even cheaper, and have it be even more outrageous, believing he was sure to make a profit. He was right.

The story, such as it is, revolves around a couple, Christopher and Celia (Robert Behling and Jane Lyle) who travel to Mykonos in search of some kicks. Unfortunately, the kind of kicks they enjoy are not exactly in line with the current mores of the tiny island they are visiting. Christopher in particular is a religious fundamentalist (though hypocritically viola...Read the entire review

The Movie:
Prison movies have been around for a while, and they tend to inhabit the lower echelons of the cinematic universe. In particular, the "prison fight" movie sits comfortably in the exploitation end of the sub-genre. But still, there have been some fun examples, and Vendetta, from Jen and Sylvia Soska, continues this tradition with Dean Cain as an embittered cop facing off against Paul "The Big Show" Wight's gang boss.

Cain plays detective Mason Danvers. He's on the trail of gangster Victor Abbot, played by Wight. He nabs Abbot and his brother, but they both get let out on a technicality. Abbot then kills Danvers wife in revenge. So, of course, Danvers then kills Abbot's brother, making sure that the cops arrive right after and there's plenty of evidence to convict him. He then pulls some strings to make sure to be sent to the same prison Abbot is in. Danvers, you see, is b...Read the entire review

The Movie:
There's almost nothing people like more than a ghost story, and if it's a true story that's all the better. In an effort to bring a whole mess of "true" haunting and supernatural stories together, the History Channel has put out Poltergeists: Real-Life Hauntings, which has six documentaries totally about five hours that deal with poltergeists, Voodoo, ghosts, and more.

All of these documentaries are History Channel productions, some longer format TV docs, and some just episodes of History Channel shows that happen to touch on the supernatural. Not all of them relate to poltergeists, despite the title, and the quality is mixed, but there is some actually interesting material here.

Poltergeists and Hauntings are both episodes of The Unexplained, and are probably the weakest of the segments included. They cover their subjects pretty well, talking abou...Read the entire review

The Movie:
Independent films can take a lot of risks, and therefore you're more likely to see truly unique ideas there as opposed to big studio films. At times, indies can be incredibly inventive. Other times, you get movies like Army of Frankensteins, whose premise is that a modern disciple of Dr. Frankenstein and his adopted son create an undead monster who then accidentally gets sent back in time to fight in the American Civil War.

Alan Jones (Jordan Farris) is s schlubby sort of fellow who is three months behind on his rent, but has managed to scrape up enough money for an engagement ring. He sees his girlfriend kissing her manager at the grocery store, and storms out angry, only to be kidnapped by barely pubescent genius psychopath Igor (Christian Bellgardt) and taken to his adoptive father's lab. Dad, Dr. Finski (John Ferguson) is an intellectual heir of Frankenstein and has ...Read the entire review

The Movie:
You might think that Italian gialli (lurid thrillers, often involving black gloved killers and other tropes) are already exploitive enough, what with the overabundance of violence, nudity and sex. Well, in the late seventies the folks at Midia Cinematografica thought, "What if we added even more pointless sex?" And thus, the poorly thought out, but still enjoyable, thriller Play Motel was born.

The titular Play Motel is an upscale location for the well off to meet for anonymous trysts with willing partners. Unbeknownst to these well to do romantics, the place is run by notorious pornographer Max Ligouri (Marino Mase), who secretly takes photos of his guests while they play and uses the results for blackmail. The cops are suspicious of Ligouri, especially after a number of young women connected to the case are murdered, but they can't seem to get any proof.

Luckily, Rob...Read the entire review

The Movie:
Everyone likes a good noir, right? The moral ambiguity, the tough guys and saucy dames, the style. The Whistler, adapted in 1944 from a radio program, is a slight but well told tale of murder for hire, love and desperation. It's fun!

Richard Dix is Earl Conrad, a businessman who is bereft at the death of his wife, washed out to sea after a boating accident. It's been a couple of years since then, and he's lost all of his friends, who suspect that he in fact killed his wife. Tired of living life this way, and apparently squeamish about suicide, he puts out a contract on his own life. He works with an intermediary, so he doesn't know the identity of the killer, but his outlook on life gets much brighter once the deal is made. He's made his choice and is prepared for death.

But soon after he puts out the contract, he gets word that his wife is still alive, and has been a ...Read the entire review

The Movie:
Homages and other nostalgia driven films can be great, but in most cases they need to be fun most of all. They need to hearken back to a simpler time. And if your film is called Zombies From Outer Space, the audience is going to have certain expectations. You don't have to be perfect, but you do have to at least attempt to meet those expectations. This film didn't.

Zombies From Outer Space is a German production, set in rural Germany in 1947. There's a large American military base in the area, and most of the soldiers have a crush on Maria (Judith Gorgass), who makes her rounds in the community selling produce from her family's farm. Her life gets a little crazy when she finds a dead girl on one of her rounds. More girls start turning up dead. And then they find what appears to be an alien body, which might be related to the crop circles appearing in fields around...Read the entire review

The Movie:
How can I describe Kate Shenton's doc On Tender Hooks? It's an incisive look into a little known sub-culture. It's an emotional exploration. It's shocking. It's funny. It's bloody. It's also fascinating.

The film is about human suspension. If you're not sure what that is, it's people who insert hooks into their flesh, and then attach ropes to the hooks and raise themselves into the air. Hence, they are suspended. There's a fairly well organized and mature community around suspension, and it's this that Shenton explores. She focuses on several suspension clubs, mostly in England, but also in Croatia and Norway. She films suspensions in gymnasium like environments, in the woods, in clubs, and much more.

The real key to On Tender Hooks is that Shenton herself is ...Read the entire review

The Movie:
I have a special love for independent, low budget movies, but they are particularly difficult to make well. Small budgets, short schedules and unexpected challenges can all derail the program, so when an indie movie even gets finished, it's an accomplishment. And it's with that perspective that it is best to watch Captain Z and the Terror of the Leviathan.

Captain Zachariah Zicari (played by writer Zoltan Zilai, based on a character he created for a local TV commercial campaign) stopped a group of demons from resurrecting the Leviathan in 1741, but was sucked into another dimension along with them as a result. Many years later, when Captain Z has become a local folktale, with a museum dedicated to him, a couple of redneck fishermen find an enchanted amulet, read its in...Read the entire review

The Movie:
Chris Alexander, editor in chief of genre mag Fangoria, has branched out in the last few years and entered the filmmaking arena, beginning with his low key vampire film Blood for Irina and its sequel Queen of Blood. Now he is trying a slightly different subject matter with the very low budget, shot entirely on I-phone Female Werewolf.

The film is extremely spare and minimalist. The main character, referred to in the credits only as She (Carrie Gemmell), is a frustrated woman who plods along at her nondescript office job during the day, while indulging in increasingly bizarre fantasies by night. These fantasies are sexual, bloody, and mostly focus on the office girl she works with (Cheryl S...Read the entire review

The Movie:
Silent black and white movies have a great nostalgia value, and are often interesting artifacts of their time. The German expressionists had a wonderful visual style and a knack for storytelling. So why, one might ask, would someone want to make a silent black and white film now? It's a question worth asking to the producers of Lilith, A Vampire Who Comes Back, because that's exactly what they did, with very mixed results.

Baron Ludwig (Tanivo Golino) was a happy man, wed to his beautiful wife Lusilla (Cinzia Susino), but then she died and he took to wandering around the town, morose, paying little attention to his disreputable servant Balduin (Emanuele Giammusso) whose hobbies seem to be seducing naïve village girls and then murdering them. Interspersed with, and unluckily for poor Ludwig, connected in the minds of the townsfolk with the young girls going missing, chil...Read the entire review

The Movie:
It does seem that spy movies have gotten a bit dour recently. They desperately needed the proverbial kick in the pants, to get recharged and made fun again. At least, that's the opinion of Matthew Vaughn, who previously brought us Kick Ass and X-Men First Class. And to solve this dilemma of over seriousness, he decided to make Kingsman: The Secret Service.

Harry Hart, a/k/a Galahad (Colin Firth) is a consummate gentleman and an agent for the independent intelligence agency The Kingsmen, drawn from England's upper crust. He feels bad that a man dies saving his life, and so when the man's son Eggsy (Taron Egerton) grows up to be somewhat troubled and froward, Hart offers him a chance to join the elite team. Eggsy agrees, since it'...Read the entire review

The Movie:
Did you ever date a girl that had a big secret? One that would cause most guys to cut and run? That's the basic premise behind Justin Benson and Aaron Moorhead's horror / romance Spring, and it certainly is a doozie of a secret.

Evan (Lou Taylor Pucci) is having a terrible time of it. His mom just died, and he's been fired from his job at a bar for beating the tar out of a guy after the funeral. The police are looking for him, and he really doesn't know what to do with his life. On a whim, he decides to go to Italy and bum around for a while. While there, he sees a mysterious young woman, Louise (Nadia Hilker), and even tries to talk her up, but is rebuffed. Undeterred, he gets a job at an olive farm owned by grizzled farmer Angelo (Francesco Carnelutti) just so that he can stay in the area.

Well, eventually Evan and Louise do get together, over coffee and wine, and a ...Read the entire review

The Movie:
There were some gloriously trashy movies made in Italy in the seventies and eighties, and Enzo G. Castellari made not a few of them. Blue Underground is releasing several of them, including post-apocalyptic epic The New Barbarians, also known as Warriors of the Wasteland. Castellari had the good fortune to cast Fred Williamson in a role, during his European period. This is a wonderful cinematic experience, for those with a taste for this kind of thing.

It's 2019 (right around the corner!) and the world has been devastated by nuclear war. Humans remain, scattered around the countryside, scrabbling to get by, looking for other survivors or some remnant of civilization. Their mortal enemies are the Templars, a group of zealots who blame books and learning for the holocaust, and strive to wipe out not only literature, but all human life. Presumably, when they are done...Read the entire review

The Movie:
The Ouija board has been a convenient prop and MacGuffin in horror movies for decades, and one is a centerpiece of Jonah Lives, though the rules are a bit different than we're used to. The film itself is mediocre, with a few bright spots.

We begin with two young women, Lydia and Barbara (Nicole Lasala and Jocelyn Padilla) watching a few male friends play two on two football. (Note that this stuck out to me as something unrealistic. Two on two football? Who does that?) Lydia is dating Tony (James Barrett) and Barbara is dating Johnny (Rob Roy), while Jessie (Aaron Peaslee) is the wimpy friend, and Francis (Ryan Boudreau) is the pseudo-intellectual friend. It's possible I've mixed up these names or relationships a bit. Most of these characters aren't super distinct.

Tiring of football, they soon repair to Francis's house where they must hang out in the basement, since Fr...Read the entire review

The Movie:
Reality TV has been used as an element in a lot of horror films lately: sometimes as a convenient excuse for horror films to get away with the found footage format, sometimes just reflecting its ubiquity in modern life. At times it works, as with the fine films Delivery or The Taking of Deborah Logan. At other times, it doesn't work so well, as with Jim O'Rear's film Camp Massacre, originally titled Fat Chance, which is centered around a weight loss camp reality show.

The film begins with three women planning on stepping out on the town, one of which is played by former pornographic actress Bree Olson. Before five minutes is up, we've seen Bree naked in the shower and she's dead, and these event...Read the entire review

The Movie:
The name Uwe Boll attached to a film usually signals that it's not an example of exquisite craftsmanship and vision. Nevertheless, the German director has managed to make quite a film career for himself. I decided to check out his film Blackwoods, originally released in 2001, and now being re-released by Martini Entertainment. It's not fully successful thriller, and while it ultimately fails, it's not awful.

Matt Sullivan (played by Patrick Muldoon, who you might recognize as the smarmy guy from Starship Troopers) is a privileged and carefree young man who is about to go spend a long weekend in the country with his new girlfriend Dawn (Keegan Connor Tracy) and her family, in the remote Black Woods. Matt is still dealing with the psychological ramifications from a fatal car accident he was involv...Read the entire review

The Movie:
Richard Griffin, probably New England's premier exploitation horror comedy director strikes again with his odd and oddly endearing Frankenstein's Hungry Dead. The film is far from perfect, and made with little time and less money, but manages to mostly work regardless.

Mr. Jefferson (Ryan Hanley) is tired of the antics of the high school kids he teaches, so he gives them an ultimatum: either join him for a tour of the local wax museum, or go to detention! Faced with this stark choice, the kids go to the museum, run by creepy German, Dr. Charles Frank (Michael Thurber). Ashley and Coulton (Shannon Hartman and Patrick Keeffe) decide they want to break back in to the museum later that night for some sexy time, and are followed by their classmates Katherine (Jamie Lyn Bagley), Zoey (Aurora Grabill), her friend Vermin (Jesse Dufault) and a few others. Of course, they don't re...Read the entire review

The Movie:
When I first saw the cover for Bedlam, I thought to myself, "Oh, great. Another horror movie set in a mental institution." And that certainly appears to be how the film is being marketed, but it's not really a standard entry in the genre. It's much more.

Set in an Australian mental institution in the Sixties, we are introduced to George Kilner (Guy Edmonds), who suffers from mental illness, possibly due to horrible abuse he suffered as a child and the trauma of his mother's suicide. He voluntarily commits himself to Bedlam Hospital, run by haughty German Dr. Black (Peter McAllum). He soon runs into the other inmates, most of whom are not ‘voluntary commits'. Cutter (Gary Boulter), so called because of his tendency for self-harm, has the cell next to George's. Both George and Cutter are charmed by famous actress Sofia (Cassandra Swaby), who was referred for commitment b...Read the entire review

The Movie:
Sean Weathers has been doing low budget exploitation horror and urban crime films for some time now. His latest offering is Ace Jackson is a Dead Man. The film isn't perfect, and will appeal mostly to a small slice of the movie going public, but it's a fun seventy minutes of sleazy insanity.

The Movie:
Hollywood can often be a cold and cruel place, but what if there was something else going on besides predatory casting directors and unscrupulous agents? There have been a number of horror films that explore this theme, with Starry Eyes being one recent example. Cameron Romero's interesting but imperfect Auteur takes a look at obsessive filmmaking and the possible influence of the occult in Hollywood.

Jack Humphries (B.J. Hendricks) introduces himself right off as a "failed documentarian". He's decided that he can rehabilitate his career by making a film about notorious flameout horror director Charlie Buckwald (Ian Hutton), who threw his future away when he walked away with all the footage from his masterpiece, Demonic. Buckwald now lives as a hermit, somewhere in the Los Angeles area, and Jac...Read the entire review

The Movie:
I have a lot of respect for filmmakers who try to do something interesting or new, even if it doesn't 100% work. Jennifer Harrington's Housekeeping is certainly a different approach to the thriller genre, and aside from a few minor issues it works very well.

Lucy (Adriana Solis) is a med student, bright, determined and driven. She's been taking care of her younger brother Sal (Carlos Foglia) since their mother died in a tragic fire. Their mother was a maid for a wealthy family, and others died in the fire as well, though Lucy managed to save Sal. He never got his life together like his big sister, though. In and out of trouble, Lucy always bails him out. This time he's deep in debt to some very unsavory characters, and she doesn't have the money to pay off the debt. She needs to make some cash quick.

Lucy's friend Denise (Monica Percich) has an acquaintance who needs s...Read the entire review

The Movie:
I have to admit, when I first heard the basic plot of Devil May Call, I was not enthused. A blind woman stalked by a relentless killer? It's been done before. But here's the thing: writer / director Jason Cuadrado may not be blazing a new trail or coming up with a wildly inventive tale, but he delivers a taut, tense and enjoyable thriller.

Sam, played by genre stalwart Corri English, is an operator at a non-profit mental health crisis line. The organization is moving to newer, better accommodations, so tonight's the last night in the old building. The phones are spotty, the power tends to go off, and the elevators have a mind of their own. Sam is joined on the overnight shift by new guy Jess (Van Hansis), fellow operator Val (Traci Lords) and grumpy goth Jules (Tracy Perez), who is stuck there dong community service.

Sam has a regular caller, named John (played with me...Read the entire review

The Movie:
Vampires are a perennial subject for horror filmmakers, and that bloody fellow Dracula holds a special place in many people's hearts. So, what better subject to build a satire around Christian sexual ethics (and especially Christian scare films) and also community theater people? While this doesn't seem like a natural fit, it sort of works in Richard Griffin's Sins of Dracula, though this film isn't as enjoyable as some of his previous work.

Billy (Jamie Dufault) is a devout Christian, who sings in the church choir and loves the Lord, but he longs for something else. He wants to express himself. His girlfriend Shannon (horror veteran Sarah Nicklin), who is not devout in the least, encourages him to join her in her community theater troupe, led by the flamboyant director Lou Perdition (Steven O'Broin). Billy is a very sheltered lad, and doesn't know at first how to deal w...Read the entire review

The Movie:
The "Town with a Dark Secret" sub-genre of horror films is a deep vein from which to mine thrills and chills, and this material has been exploited fairly successfully a number of times. Sadly, Colin Theys' Deep in the Darkness is only a mediocre example of the form, and largely wastes its talented cast.

Sean Patrick Thomas plays Dr. Michael Cayle, a big city physician from New York who wants to move his small family, consisting of wife Cristine (Kristen Bush) and daughter Jess (Athena Grant), to the less stressful small town life of Ashborough, NH. Michael takes over the practice of the previous doctor, an elderly man who was bitten by a rabid dog and died. The town seems peaceful enough, and their nearest neighbor Phil (Dean Stockwell at his curmudgeonly best) seems nice enough.

But, of course since this is a horror movie, everything is not as it appears. The townsfol...Read the entire review

The Movie:
J. Sheridan le Fanu's eerie vampire novella Carmilla has had quite a number of film adaptations, from the serious to the silly to the erotic. Some of these have been pretty good, such as Roy Ward Baker's The Vampire Lovers, while others have been… less so. Mauricio Chernovetzky and Mark Dvendorf's Angels of Darkness a/k/a Styria is somewhere in the middle of this pack: well produced but uninspiring.

Stephen Rea is Dr. Hill. It's 1989, and he's gained entry into Hungary in order to study frescoes in an isolated castle before it's torn down. He brings his troubled daughter Lara (Eleanor Tomlinson) with him, since she's been kicked out of her boarding school. Hill hires Miss Pasztor (Erika Marozsan), a local woman from the nearby village Styria, to tutor his daughter. Lara persist...Read the entire review

The Movie:
Bruno Mattei was no one's idea of a top flight horror director, but he did contribute some film entries that were at least entertaining in their ineptitude. He made a few zombie movies, such as Hell of the Living Dead, which I enjoyed, and also movies like Women's Prison Massacre and Violence in a Women's Prison. He's certainly earned his place in the schlock horror canon, so his next to last film, Island of the Living Dead is worth a look, though it's definitely not good, even by Mattei's standards.

The film starts off in the past. We see Conquistadors mistreating their underlings, and what appear to be Voodoo rituals, though most of the natives we see seem to be Filipinos. This kind of plot detail fudging is emblematic of the entire film. Zombies soon show ...Read the entire review

The Movie:
Daniel Falicki is a director whose work I've enjoyed in the past, though he hasn't made a truly exceptional film yet, at least that I've seen. His film All the Devil's Aliens a/k/a Devils in the Darkness from 2013 is a serviceable little thriller, and pretty fun. Sadly, he takes a step backward with 2014's Awaken the Devil a/k/a An Anti American, which suffers from the same faults as the previous film, only more so.

Vernon and Tom Dopple (Jason Roth and Matt Simpson Siegel) are brothers, both homeless, with only each other for company from day to day. Vernon is mute and confined to a wheelchair, but Tom does plenty of talking and moving around for both of them. Though Tom can't see it, Vernon starts to see strange figures on the street, staring at them, and the phrase "You've b...Read the entire review

The Movie:
You don't see too many truly effective pitch black comedies / social satires these days, but Alex Orr has certainly served up a pointed serving with Blood Car. This is absolutely not a film that will appeal to everyone, and will turn off quite a few, but it's a treat for those of us with few film scruples and a twisted sense of humor.

It's the near future, and gasoline costs more than $30 a gallon. Only the very, very rich drive cars anymore, and the nation is blanketed with malaise. Enter kindergarten teacher and amateur inventor Archie (Mike Brune). He is a vegan, and dedicated to building an engine that runs on wheat grass. He buys his wheat grass from Lorraine (Anna Chlumsky), who is very obviously smitten with him, though he can't see it, or pretends not to. And right across from Lorraine's vegetable stand is the meat stand, run by Denise (Katie Rowlett). Archie is ...Read the entire review

The Movie:
Generally, I love Spanish language horror films. Amando de Ossorio with his Blind Dead films, Paul Naschy with his werewolf movies, Juan of the Dead, Guillermo del Toro's entire body of work, the list goes on and on. I think it's the random strangeness and commitment to a dark vision with a lot of style that I enjoy. So I was prepared to for a great experience with Mas Negro que la Noche, and was left sorely disappointed.

A remake of a seventies horror film of the same name, Mas Negro follows Gre...Read the entire review

The Movie:
Robert Englund has had a storied career in film, and has the star power still to carry a movie, in horror circles at least. So it's too bad that one of his recent ventures, Fear Clinic, is only a fair horror film. Englund deserves greatness.

Englund plays Dr. Andover, who has created a revolutionary process for curing people of their phobias. It's an isolation chamber that they lie down in and, with the aid of pharmaceuticals and Andover's comforting voice of encouragement, relive their fears and overcome them. A number of his patients came to him after a traumatic massacre at a diner, and he helped them heal and get on with their lives. But now, a year later, Andover's clinic has fallen on hard times after a tragedy involving patient Paige (Bonnie Morgan), and those patients connected by the diner massacre are back. Their phobias have returned, and they are coming to An...Read the entire review